Tate Collection — Late 19th Century Artworks (1850–1899) - Free Download
All artworks in the Tate collection dated 1850–1899 with artist, title, medium, dimensions, acquisition year and image URL. Contains 1466 records. Download in Excel, CSV, PDF formats.
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- Contains 1466 records / 20 fields
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- Data sourced from: https://github.com/tategallery/collection
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| Id | Accession Number | Artist | ArtistRole | ArtistId | Title | DateText | Medium | CreditLine | Year | AcquisitionYear | Dimensions | Width | Height | Depth | Units | Inscription | ThumbnailCopyright | ThumbnailUrl | Url |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1695 | A00057 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study of a Woman’s Head | 1870 | Graphite on paper | Bequeathed by A.N. MacNicholl 1916 | 1870 | 1916 | support: 203 x 184 mm | 203 | 184 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00057_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-of-a-womans-head-a00057 | ||
| 1696 | A00058 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study of a Sleeping Woman’s Head, possibly for ‘The Rose Bower’ in the ‘Briar Rose’ Series | c.1871–3 | Graphite on paper | Bequeathed by A.N. MacNicholl 1916 | 1871 | 1916 | support: 274 x 222 mm | 274 | 222 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00058_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-of-a-sleeping-womans-head-possibly-for-the-rose-bower-in-the-briar-rose-a00058 | ||
| 1697 | A00059 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study of a Man’s Head | 1866 | Graphite on paper | Bequeathed by A.N. MacNicholl 1916 | 1866 | 1916 | support: 222 x 171 mm | 222 | 171 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00059_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-of-a-mans-head-a00059 | ||
| 1698 | A00060 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study of a Girl’s Head | 1866 | Graphite on paper | Bequeathed by A.N. MacNicholl 1916 | 1866 | 1916 | support: 260 x 216 mm | 260 | 216 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00060_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-of-a-girls-head-a00060 | ||
| 1699 | A00061 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study of a Standing Woman for ‘The Passing of Venus’ | 1877 | Graphite and watercolour on paper | Bequeathed by A.N. MacNicholl 1916 | 1877 | 1916 | support: 269 x 179 mm | 269 | 179 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00061_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-of-a-standing-woman-for-the-passing-of-venus-a00061 | ||
| 1700 | A00062 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study of a Seated Woman for ‘The Passing of Venus’ | c.1877 | Graphite and watercolour on paper | Bequeathed by A.N. MacNicholl 1916 | 1877 | 1916 | support: 261 x 225 mm | 261 | 225 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00062_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-of-a-seated-woman-for-the-passing-of-venus-a00062 | ||
| 1701 | A00063 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series | c.1873 | Graphite on paper | Bequeathed by A.N. MacNicholl 1916 | 1873 | 1916 | support: 126 x 180 mm | 126 | 180 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00063_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-of-seated-figure-for-the-garden-court-in-the-briar-rose-series-a00063 | |||
| 1702 | A00064 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series | c.1873 | Graphite on paper | Bequeathed by A.N. MacNicholl 1916 | 1873 | 1916 | support: 126 x 179 mm | 126 | 179 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00064_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-of-seated-figure-for-the-garden-court-in-the-briar-rose-series-a00064 | |||
| 1703 | A00065 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Figure Study for ‘The Rose Bower’ (Briar Rose Series). Verso: Study of the Head of Merlin for ‘The Beguiling of Merlin’ | c.1872–7 | Charcoal and graphite on paper. Verso: graphite on paper | Bequeathed by A.N. MacNicholl 1916 | 1872 | 1916 | support: 212 x 235 mm | 212 | 235 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00065_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-figure-study-for-the-rose-bower-briar-rose-series-verso-study-of-the-head-of-a00065 | |||
| 1704 | A00066 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Three Studies for ‘The Beguiling of Merlin’ | c.1872–7 | Graphite on paper | Bequeathed by A.N. MacNicholl 1916 | 1872 | 1916 | support: 323 x 222 mm | 323 | 222 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00066_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-three-studies-for-the-beguiling-of-merlin-a00066 | |||
| 1708 | A00070 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study of a Female Head for ‘The Hours’ | c.1872 | Graphite on paper | Presented by Lord Duveen 1925 | 1872 | 1925 | support: 146 x 149 mm | 146 | 149 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00070_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-of-a-female-head-for-the-hours-a00070 | |||
| 1710 | A00072 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Ruth and Boaz | 1879 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1879 | 1927 | support: 645 x 518 mm | 645 | 518 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00072_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-ruth-and-boaz-a00072 | |||
| 1711 | A00073 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | The Finding of Moses | 1879 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1879 | 1927 | support: 647 x 518 mm | 647 | 518 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00073_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-the-finding-of-moses-a00073 | |||
| 1712 | A00074 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | St Alban | 1875 | Charcoal and graphite on paper | Bequeathed by J.R. Holliday 1927 | 1875 | 1927 | support: 730 x 398 mm | 730 | 398 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00074_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-st-alban-a00074 | |||
| 1713 | A00075 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | St Aidan | 1875 | Charcoal and graphite on paper | Bequeathed by J.R. Holliday 1927 | 1875 | 1927 | support: 730 x 400 mm | 730 | 400 | mm | http://www.tate.org.uk/art/artworks/burne-jones-st-aidan-a00075 | ||||
| 1714 | A00076 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | St Oswald | 1875 | Charcoal and graphite on paper | Bequeathed by J.R. Holliday 1927 | 1875 | 1927 | support: 730 x 400 mm | 730 | 400 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00076_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-st-oswald-a00076 | |||
| 1715 | A00077 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | St Boniface | 1875 | Charcoal and graphite on paper | Bequeathed by J.R. Holliday 1927 | 1875 | 1927 | support: 731 x 400 mm | 731 | 400 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00077_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-st-boniface-a00077 | |||
| 1716 | A00078 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study of the Head of Tristram for ‘The Madness of Sir Tristram’ | c.1862 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1862 | 1927 | support: 101 x 131 mm | 101 | 131 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00078_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-of-the-head-of-tristram-for-the-madness-of-sir-tristram-a00078 | |||
| 1717 | A00079 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Two Studies of Tristram for ‘The Madness of Sir Tristram’ | c.1862 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1862 | 1927 | support: 207 x 241 mm | 207 | 241 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00079_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-two-studies-of-tristram-for-the-madness-of-sir-tristram-a00079 | |||
| 1718 | A00080 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Roundel with the Head of a Warrior | c.1870–5 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1870 | 1927 | support, circular: 224 x 224 mm | http://www.tate.org.uk/art/images/work/A/A00/A00080_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-roundel-with-the-head-of-a-warrior-a00080 | ||||||
| 1719 | A00081 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Roundel with the Head of a Woman | c.1870–5 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1870 | 1927 | support, circular: 223 x 223 mm | http://www.tate.org.uk/art/images/work/A/A00/A00081_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-roundel-with-the-head-of-a-woman-a00081 | ||||||
| 1720 | A00082 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Roundel with the Head of a Woman | c.1870–5 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1870 | 1927 | support, circular: 225 x 225 mm | http://www.tate.org.uk/art/images/work/A/A00/A00082_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-roundel-with-the-head-of-a-woman-a00082 | ||||||
| 1721 | A00083 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Composition Study for ‘The Merciful Knight’. Verso: Study for a Nativity | c.1863 | Graphite on paper. Verso: graphite on paper | Bequeathed by J.R. Holliday 1927 | 1863 | 1927 | support: 252 x 153 mm | 252 | 153 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00083_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-composition-study-for-the-merciful-knight-verso-study-for-a-nativity-a00083 | |||
| 20228 | A00084 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Composition Study for ‘The Merciful Knight’. Verso: Composition Study for ‘St Valentine’s Day’ | c.1863 | Graphite on paper. Verso: graphite on paper | Bequeathed by J.R. Holliday 1927 | 1863 | 1927 | support: 258 x 178 mm | 258 | 178 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00084_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-composition-study-for-the-merciful-knight-verso-composition-study-for-st-a00084 | |||
| 1722 | A00085 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Composition Study for ‘The Merciful Knight’ | c.1863 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1863 | 1927 | support: 222 x 157 mm | 222 | 157 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00085_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-composition-study-for-the-merciful-knight-a00085 | |||
| 1723 | A00086 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Nude Study of Knight for ‘The Merciful Knight’ | c.1863 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1863 | 1927 | support: 298 x 133 mm | 298 | 133 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00086_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-nude-study-of-knight-for-the-merciful-knight-a00086 | |||
| 1724 | A00087 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Nude Study of the Knight for ‘The Merciful Knight’ | c.1863 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1863 | 1927 | support: 330 x 143 mm | 330 | 143 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00087_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-nude-study-of-the-knight-for-the-merciful-knight-a00087 | |||
| 1725 | A00088 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study of Knight for ‘The Merciful Knight’ | c.1863 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1863 | 1927 | support: 248 x 175 mm | 248 | 175 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00088_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-of-knight-for-the-merciful-knight-a00088 | |||
| 1726 | A00089 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Nude Study of Knight for ‘The Merciful Knight’ | c.1863 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1863 | 1927 | support: 203 x 190 mm | 203 | 190 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00089_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-nude-study-of-knight-for-the-merciful-knight-a00089 | |||
| 1727 | A00090 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire | c.1863 | Graphite and chalk on paper | Bequeathed by J.R. Holliday 1927 | 1863 | 1927 | support: 168 x 127 mm | 168 | 127 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00090_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-of-a-seated-male-nude-for-the-liberation-of-st-peter-in-the-church-of-st-a00090 | |||
| 1728 | A00091 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Two Studies of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire | c.1863 | Graphite and chalk on paper | Bequeathed by J.R. Holliday 1927 | 1863 | 1927 | support: 179 x 335 mm | 179 | 335 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00091_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-two-studies-of-a-seated-male-nude-for-the-liberation-of-st-peter-in-the-church-a00091 | |||
| 1731 | A00094 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study of a Male Figure for ‘Clerk Saunders’ | c.1861 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1861 | 1927 | support: 297 x 148 mm | 297 | 148 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00094_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-of-a-male-figure-for-clerk-saunders-a00094 | |||
| 1732 | A00095 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study of a Seated Woman for ‘The Hours’ | c.1866 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1866 | 1927 | support: 478 x 264 mm | 478 | 264 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00095_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-of-a-seated-woman-for-the-hours-a00095 | |||
| 1734 | A00097 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Head of a Girl | c.1861 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1861 | 1927 | support: 186 x 140 mm | 186 | 140 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00097_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-head-of-a-girl-a00097 | |||
| 1735 | A00098 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Two Studies for the Head of the King in ‘King Cophetua and the Beggar Maid’ | c.1880 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1880 | 1927 | support: 152 x 162 mm | 152 | 162 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00098_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-two-studies-for-the-head-of-the-king-in-king-cophetua-and-the-beggar-maid-a00098 | |||
| 1736 | A00099 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Head of a Woman: ?Georgiana Burne-Jones | c.1861 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1861 | 1927 | support: 140 x 166 mm | 140 | 166 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00099_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-head-of-a-woman-georgiana-burne-jones-a00099 | |||
| 1739 | A00103 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study of the Head of a Female Attendant for ‘The Adoration of the Kings’ | c.1861 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1861 | 1927 | support: 154 x 142 mm | 154 | 142 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00103_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-of-the-head-of-a-female-attendant-for-the-adoration-of-the-kings-a00103 | |||
| 20231 | A00104 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study of Iseult for ‘The Marriage of Sir Tristram’. Verso: Figure of Sir Tristram | c.1862 | Graphite on paper. Verso: graphite on paper | Bequeathed by J.R. Holliday 1927 | 1862 | 1927 | support: 293 x 146 mm | 293 | 146 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00104_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-of-iseult-for-the-marriage-of-sir-tristram-verso-figure-of-sir-tristram-a00104 | |||
| 1740 | A00105 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Composition Study for ‘Clerk Saunders’ | c.1861 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1861 | 1927 | support: 403 x 185 mm | 403 | 185 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00105_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-composition-study-for-clerk-saunders-a00105 | |||
| 1741 | A00106 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Head of a Man | c.1861 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1861 | 1927 | support: 114 x 130 mm | 114 | 130 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00106_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-head-of-a-man-a00106 | |||
| 20233 | A00107 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study for Tile of the ‘Story of Beauty and the Beast’. Verso: Study for ‘Wine of Circe’ | c.1862, c.1863 | Graphite on paper. Verso: graphite on paper | Bequeathed by J.R. Holliday 1927 | 1862 | 1927 | image: 258 x 178 mm | 258 | 178 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00107_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-for-tile-of-the-story-of-beauty-and-the-beast-verso-study-for-wine-of-a00107 | |||
| 1742 | A00108 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study for ‘Pluto and Proserpine Listening to the Music of Orpheus’ | c.1875 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1875 | 1927 | support: 229 x 304 mm | 229 | 304 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00108_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-for-pluto-and-proserpine-listening-to-the-music-of-orpheus-a00108 | |||
| 1743 | A00109 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Sketch of Two Seated Figures: ‘Chant d’Amour’ | c.1862–5 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1862 | 1927 | support: 190 x 303 mm | 190 | 303 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00109_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-sketch-of-two-seated-figures-chant-damour-a00109 | |||
| 1744 | A00110 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Sketch of Two Seated Figures for ?‘The Backgammon Players’ | ?c.1861 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1861 | 1927 | support: 210 x 225 mm | 210 | 225 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00110_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-sketch-of-two-seated-figures-for-the-backgammon-players-a00110 | |||
| 1917 | A00133 | Callow, William | artist | 79 | Giessen | 1871 | Graphite on paper | Purchased 1912 | 1871 | 1912 | support: 248 x 346 mm | 248 | 346 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00133_8.jpg | http://www.tate.org.uk/art/artworks/callow-giessen-a00133 | ||
| 1918 | A00134 | Callow, William | artist | 79 | Prague | 1874 | Graphite on paper | Purchased 1912 | 1874 | 1912 | support: 248 x 346 mm | 248 | 346 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00134_8.jpg | http://www.tate.org.uk/art/artworks/callow-prague-a00134 | ||
| 1919 | A00135 | Callow, William | artist | 79 | Frauenkirche, Prague | 1874 | Graphite on paper | Purchased 1912 | 1874 | 1912 | support: 248 x 349 mm | 248 | 349 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00135_8.jpg | http://www.tate.org.uk/art/artworks/callow-frauenkirche-prague-a00135 | ||
| 1920 | A00136 | Callow, William | artist | 79 | Cochem | 1860 | Graphite on paper | Purchased 1912 | 1860 | 1912 | support: 264 x 365 mm | 264 | 365 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00136_8.jpg | http://www.tate.org.uk/art/artworks/callow-cochem-a00136 | ||
| 1923 | A00139 | Callow, William | artist | 79 | Markt, Coburg | 1863 | Graphite on paper | Purchased 1912 | 1863 | 1912 | support: 248 x 349 mm | 248 | 349 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00139_8.jpg | http://www.tate.org.uk/art/artworks/callow-markt-coburg-a00139 | ||
| 1924 | A00140 | Callow, William | artist | 79 | Coburg | 1863 | Graphite on paper | Purchased 1912 | 1863 | 1912 | support: 254 x 349 mm | 254 | 349 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00140_8.jpg | http://www.tate.org.uk/art/artworks/callow-coburg-a00140 | ||
| 1926 | A00142 | Callow, William | artist | 79 | Rathaus, Hanover | 1852 | Graphite on paper | Purchased 1912 | 1852 | 1912 | support: 254 x 337 mm | 254 | 337 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00142_8.jpg | http://www.tate.org.uk/art/artworks/callow-rathaus-hanover-a00142 | ||
| 1927 | A00143 | Callow, William | artist | 79 | Unidentified Market Place, ? Lubeck or Leipzig | 1852 | Graphite on paper | Purchased 1912 | 1852 | 1912 | support: 254 x 349 mm | 254 | 349 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00143_8.jpg | http://www.tate.org.uk/art/artworks/callow-unidentified-market-place-lubeck-or-leipzig-a00143 | ||
| 1928 | A00144 | Callow, William | artist | 79 | Royal Palace, Dresden | 1852 | Graphite on paper | Purchased 1912 | 1852 | 1912 | support: 254 x 349 mm | 254 | 349 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00144_8.jpg | http://www.tate.org.uk/art/artworks/callow-royal-palace-dresden-a00144 | ||
| 1929 | A00145 | Callow, William | artist | 79 | Rathaus, Gotha | 1852 | Graphite on paper | Purchased 1912 | 1852 | 1912 | support: 254 x 349 mm | 254 | 349 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00145_8.jpg | http://www.tate.org.uk/art/artworks/callow-rathaus-gotha-a00145 | ||
| 1930 | A00146 | Callow, William | artist | 79 | Rathaus, Eisenach | 1852 | Graphite on paper | Purchased 1912 | 1852 | 1912 | support: 254 x 349 mm | 254 | 349 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00146_8.jpg | http://www.tate.org.uk/art/artworks/callow-rathaus-eisenach-a00146 | ||
| 1931 | A00147 | Callow, William | artist | 79 | Quai on the Moselle | 1860 | Graphite on paper | Purchased 1912 | 1860 | 1912 | support: 264 x 365 mm | 264 | 365 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00147_8.jpg | http://www.tate.org.uk/art/artworks/callow-quai-on-the-moselle-a00147 | ||
| 1932 | A00148 | Callow, William | artist | 79 | Place St Pharailde, Ghent | 1850 | Graphite on paper | Purchased 1912 | 1850 | 1912 | support: 264 x 365 mm | 264 | 365 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00148_8.jpg | http://www.tate.org.uk/art/artworks/callow-place-st-pharailde-ghent-a00148 | ||
| 1937 | A00153 | Callow, William | artist | 79 | Old Palais de Justice, Malines | 1850 | Graphite on paper | Purchased 1912 | 1850 | 1912 | support: 264 x 365 mm | 264 | 365 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00153_8.jpg | http://www.tate.org.uk/art/artworks/callow-old-palais-de-justice-malines-a00153 | ||
| 6948 | A00211 | Hughes, Arthur | artist | 283 | Old Sal for ‘At the Back of the North Wind’ | c.1869 | Ink on paper | Presented by H. Reitlinger 1926 | 1869 | 1926 | support: 79 x 60 mm | 79 | 60 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00211_8.jpg | http://www.tate.org.uk/art/artworks/hughes-old-sal-for-at-the-back-of-the-north-wind-a00211 | |||
| 6949 | A00212 | Hughes, Arthur | artist | 283 | The Drunken Cabman for ‘At the Back of the North Wind’ | c.1870 | Ink and graphite on paper | Presented by H. Reitlinger 1926 | 1870 | 1926 | support: 79 x 60 mm | 79 | 60 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00212_8.jpg | http://www.tate.org.uk/art/artworks/hughes-the-drunken-cabman-for-at-the-back-of-the-north-wind-a00212 | |||
| 6950 | A00213 | Hughes, Arthur | artist | 283 | The Wicked Fairy for ‘At the Back of the North Wind’ | c.1870 | Ink and graphite on paper | Presented by H. Reitlinger 1926 | 1870 | 1926 | support: 79 x 60 mm | 79 | 60 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00213_8.jpg | http://www.tate.org.uk/art/artworks/hughes-the-wicked-fairy-for-at-the-back-of-the-north-wind-a00213 | |||
| 8567 | A00730 | Leighton, Lord Frederic | artist | 342 | The Spies Escape | published 1881 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1881 | 1924 | image: 168 x 181 mm | 168 | 181 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00730_8.jpg | http://www.tate.org.uk/art/artworks/leighton-the-spies-escape-a00730 | |||
| 8568 | A00731 | Leighton, Lord Frederic | artist | 342 | Cain and Abel | published 1881 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1881 | 1924 | image: 178 x 159 mm | 178 | 159 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00731_8.jpg | http://www.tate.org.uk/art/artworks/leighton-cain-and-abel-a00731 | |||
| 8569 | A00732 | Leighton, Lord Frederic | artist | 342 | Samson and the Lions | published 1881 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1881 | 1924 | image: 184 x 184 mm | 184 | 184 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00732_8.jpg | http://www.tate.org.uk/art/artworks/leighton-samson-and-the-lions-a00732 | |||
| 8570 | A00733 | Leighton, Lord Frederic | artist | 342 | Abram and the Angel | published 1881 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1881 | 1924 | image: 216 x 152 mm | 216 | 152 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00733_8.jpg | http://www.tate.org.uk/art/artworks/leighton-abram-and-the-angel-a00733 | |||
| 8571 | A00734 | Leighton, Lord Frederic | artist | 342 | Samson at the Mill | published 1881 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1881 | 1924 | image: 190 x 175 mm | 190 | 175 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00734_8.jpg | http://www.tate.org.uk/art/artworks/leighton-samson-at-the-mill-a00734 | |||
| 8572 | A00735 | Leighton, Lord Frederic | artist | 342 | Eliezer and Rebekah | published 1881 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1881 | 1924 | image: 175 x 149 mm | 175 | 149 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00735_8.jpg | http://www.tate.org.uk/art/artworks/leighton-eliezer-and-rebekah-a00735 | |||
| 8573 | A00736 | Leighton, Lord Frederic | artist | 342 | Moses Views the Promised Land | published 1881 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1881 | 1924 | image: 229 x 137 mm | 229 | 137 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00736_8.jpg | http://www.tate.org.uk/art/artworks/leighton-moses-views-the-promised-land-a00736 | |||
| 8574 | A00737 | Leighton, Lord Frederic | artist | 342 | Death of the First Born | published 1881 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1881 | 1924 | image: 194 x 175 mm | 194 | 175 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00737_8.jpg | http://www.tate.org.uk/art/artworks/leighton-death-of-the-first-born-a00737 | |||
| 8575 | A00738 | Leighton, Lord Frederic | artist | 342 | Samson Carrying the Gate | published 1881 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1881 | 1924 | image: 168 x 187 mm | 168 | 187 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00738_8.jpg | http://www.tate.org.uk/art/artworks/leighton-samson-carrying-the-gate-a00738 | |||
| 8607 | A00739 | Leslie, Charles Robert | artist | 346 | Falstaff Personating the King | c.1851 | Oil paint on wood | Bequeathed by Henry Vaughan 1900 | 1851 | 1900 | support: 140 x 216 mm | 140 | 216 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00739_8.jpg | http://www.tate.org.uk/art/artworks/leslie-falstaff-personating-the-king-a00739 | |||
| 8608 | A00740 | Leslie, Charles Robert | artist | 346 | Head of Falstaff | c.1851 | Oil paint on wood | Bequeathed by Henry Vaughan 1900 | 1851 | 1900 | support: 140 x 114 mm | 140 | 114 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00740_8.jpg | http://www.tate.org.uk/art/artworks/leslie-head-of-falstaff-a00740 | |||
| 8609 | A00741 | Leslie, Charles Robert | artist | 346 | Head of Prince Hal | c.1851 | Oil paint on canvas | Bequeathed by Henry Vaughan 1900 | 1851 | 1900 | support: 140 x 102 mm | 140 | 102 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00741_8.jpg | http://www.tate.org.uk/art/artworks/leslie-head-of-prince-hal-a00741 | |||
| 9484 | A00792 | Millais, Sir John Everett, Bt | artist | 379 | The Lost Sheep | published 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 140 x 108 mm | 140 | 108 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00792_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-lost-sheep-a00792 | |||
| 9485 | A00793 | Millais, Sir John Everett, Bt | artist | 379 | The Pharisee and the Publican | published 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 140 x 108 mm | 140 | 108 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00793_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-pharisee-and-the-publican-a00793 | |||
| 9486 | A00794 | Millais, Sir John Everett, Bt | artist | 379 | The Wise Virgins | published 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 140 x 108 mm | 140 | 108 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00794_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-wise-virgins-a00794 | |||
| 9487 | A00795 | Millais, Sir John Everett, Bt | artist | 379 | The Unjust Judge and the Importunate Widow | published 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 140 x 108 mm | 140 | 108 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00795_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-unjust-judge-and-the-importunate-widow-a00795 | |||
| 9488 | A00796 | Millais, Sir John Everett, Bt | artist | 379 | The Leaven | published 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 140 x 108 mm | 140 | 108 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00796_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-leaven-a00796 | |||
| 9489 | A00797 | Millais, Sir John Everett, Bt | artist | 379 | The Rich Man and Lazarus | published 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 140 x 108 mm | 140 | 108 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00797_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-rich-man-and-lazarus-a00797 | |||
| 9490 | A00798 | Millais, Sir John Everett, Bt | artist | 379 | The Labourers in the Vineyard | published 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 140 x 108 mm | 140 | 108 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00798_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-labourers-in-the-vineyard-a00798 | |||
| 9491 | A00799 | Millais, Sir John Everett, Bt | artist | 379 | The Marriage Feast | published 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 140 x 108 mm | 140 | 108 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00799_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-marriage-feast-a00799 | |||
| 9492 | A00800 | Millais, Sir John Everett, Bt | artist | 379 | The Sower | published 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 140 x 108 mm | 140 | 108 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00800_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-sower-a00800 | |||
| 9493 | A00801 | Millais, Sir John Everett, Bt | artist | 379 | The Lost Piece of Silver | published 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 140 x 108 mm | 140 | 108 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00801_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-lost-piece-of-silver-a00801 | |||
| 9494 | A00802 | Millais, Sir John Everett, Bt | artist | 379 | The Foolish Virgins | published 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 140 x 108 mm | 140 | 108 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00802_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-foolish-virgins-a00802 | |||
| 9495 | A00803 | Millais, Sir John Everett, Bt | artist | 379 | The Importunate Friend | published 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 140 x 108 mm | 140 | 108 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00803_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-importunate-friend-a00803 | |||
| 9496 | A00804 | Millais, Sir John Everett, Bt | artist | 379 | The Pearl of Great Price | published 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 140 x 108 mm | 140 | 108 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00804_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-pearl-of-great-price-a00804 | |||
| 9497 | A00805 | Millais, Sir John Everett, Bt | artist | 379 | The Tares | published 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 140 x 108 mm | 140 | 108 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00805_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-tares-a00805 | |||
| 9498 | A00806 | Millais, Sir John Everett, Bt | artist | 379 | The Good Shepherd | published 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 140 x 108 mm | 140 | 108 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00806_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-good-shepherd-a00806 | |||
| 9499 | A00807 | Millais, Sir John Everett, Bt | artist | 379 | The Wicked Husbandman | published 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 140 x 108 mm | 140 | 108 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00807_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-wicked-husbandman-a00807 | |||
| 20509 | A00808 | Millais, Sir John Everett, Bt | artist | 379 | The Good Samaritan | published 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | http://www.tate.org.uk/art/images/work/A/A00/A00808_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-good-samaritan-a00808 | |||||||
| 9500 | A00809 | Millais, Sir John Everett, Bt | artist | 379 | The Unmerciful Servant | published 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 140 x 108 mm | 140 | 108 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00809_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-unmerciful-servant-a00809 | |||
| 9501 | A00810 | Millais, Sir John Everett, Bt | artist | 379 | The Hidden Treasure | published 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 140 x 108 mm | 140 | 108 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00810_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-hidden-treasure-a00810 | |||
| 9502 | A00811 | Millais, Sir John Everett, Bt | artist | 379 | The Prodigal Son | published 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 140 x 108 mm | 140 | 108 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00811_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-prodigal-son-a00811 | |||
| 9503 | A00812 | Millais, Sir John Everett, Bt | artist | 379 | Study for ‘The Black Brunswicker’ | c.1860 | Graphite on paper | Presented by Gilbert Dalziel 1924 | 1860 | 1924 | support: 199 x 117 mm | 199 | 117 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00812_8.jpg | http://www.tate.org.uk/art/artworks/millais-study-for-the-black-brunswicker-a00812 | |||
| 12385 | A00813 | Millais, Sir John Everett, Bt | artist | 379 | Study for ‘The Black Brunswicker’ | c.1860 | Graphite on paper | Presented by Gilbert Dalziel 1924 | 1860 | 1924 | support: 86 x 64 mm | 86 | 64 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00813_8.jpg | http://www.tate.org.uk/art/artworks/millais-study-for-the-black-brunswicker-a00813 | |||
| 12689 | A00814 | Millais, Sir John Everett, Bt | artist | 379 | Study for ‘The Black Brunswicker’ | c.1860 | Graphite on paper | Presented by Gilbert Dalziel 1924 | 1860 | 1924 | support: 200 x 106 mm | 200 | 106 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00814_8.jpg | http://www.tate.org.uk/art/artworks/millais-study-for-the-black-brunswicker-a00814 | |||
| 12208 | A00825 | Poynter, Sir Edward | artist | 433 | Joseph Presents his Father to Pharoah | 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 137 x 187 mm | 137 | 187 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00825_8.jpg | http://www.tate.org.uk/art/artworks/poynter-joseph-presents-his-father-to-pharoah-a00825 | ||
| 12209 | A00826 | Poynter, Sir Edward | artist | 433 | Moses Keeping Jethro’s Sheep | 1863 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1863 | 1924 | image: 181 x 159 mm | 181 | 159 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00826_8.jpg | http://www.tate.org.uk/art/artworks/poynter-moses-keeping-jethros-sheep-a00826 | ||
| 12210 | A00827 | Poynter, Sir Edward | artist | 433 | Moses and Aaron before Pharoah | 1863 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1863 | 1924 | image: 203 x 175 mm | 203 | 175 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00827_8.jpg | http://www.tate.org.uk/art/artworks/poynter-moses-and-aaron-before-pharoah-a00827 | ||
| 12211 | A00828 | Poynter, Sir Edward | artist | 433 | Pharoah Honours Joseph | 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 197 x 175 mm | 197 | 175 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00828_8.jpg | http://www.tate.org.uk/art/artworks/poynter-pharoah-honours-joseph-a00828 | ||
| 12212 | A00829 | Poynter, Sir Edward | artist | 433 | Moses Strikes the Rock | 1865 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1865 | 1924 | image: 225 x 162 mm | 225 | 162 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00829_8.jpg | http://www.tate.org.uk/art/artworks/poynter-moses-strikes-the-rock-a00829 | ||
| 12213 | A00830 | Poynter, Sir Edward | artist | 433 | By the Waters of Babylon | 1865 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1865 | 1924 | image: 222 x 181 mm | 222 | 181 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00830_8.jpg | http://www.tate.org.uk/art/artworks/poynter-by-the-waters-of-babylon-a00830 | ||
| 12214 | A00831 | Poynter, Sir Edward | artist | 433 | Miriam | 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 229 x 168 mm | 229 | 168 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00831_8.jpg | http://www.tate.org.uk/art/artworks/poynter-miriam-a00831 | ||
| 12215 | A00832 | Poynter, Sir Edward | artist | 433 | Daniel’s Prayer | 1865 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1865 | 1924 | image: 190 x 175 mm | 190 | 175 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00832_8.jpg | http://www.tate.org.uk/art/artworks/poynter-daniels-prayer-a00832 | ||
| 12216 | A00833 | Poynter, Sir Edward | artist | 433 | Joseph before Pharoah | 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 175 x 190 mm | 175 | 190 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00833_8.jpg | http://www.tate.org.uk/art/artworks/poynter-joseph-before-pharoah-a00833 | ||
| 12217 | A00834 | Poynter, Sir Edward | artist | 433 | Joseph Distributes Corn | 1864 | Wood engraving on paper | Presented by Gilbert Dalziel 1924 | 1864 | 1924 | image: 162 x 187 mm | 162 | 187 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00834_8.jpg | http://www.tate.org.uk/art/artworks/poynter-joseph-distributes-corn-a00834 | ||
| 12749 | A00839 | Rooke, Thomas Matthews | artist | 458 | Ruth and Naomi | 1876–7 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1877 | 1876 | 1877 | support: 660 x 394 mm | 660 | 394 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00839_8.jpg | http://www.tate.org.uk/art/artworks/rooke-ruth-and-naomi-a00839 | |||
| 12750 | A00840 | Rooke, Thomas Matthews | artist | 458 | Ruth and Boaz | 1876–7 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1877 | 1876 | 1877 | support: 660 x 337 mm | 660 | 337 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00840_8.jpg | http://www.tate.org.uk/art/artworks/rooke-ruth-and-boaz-a00840 | |||
| 12751 | A00841 | Rooke, Thomas Matthews | artist | 458 | Naomi, Ruth and Obed | 1876–7 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1877 | 1876 | 1877 | support: 660 x 394 mm | 660 | 394 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00841_8.jpg | http://www.tate.org.uk/art/artworks/rooke-naomi-ruth-and-obed-a00841 | |||
| 12763 | A00842 | Rossetti, Dante Gabriel | artist | 461 | David | 1858–64 | Watercolour on paper | Purchased 1924 | 1858 | 1924 | support: 279 x 133 mm | 279 | 133 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00842_8.jpg | http://www.tate.org.uk/art/artworks/rossetti-david-a00842 | |||
| 12764 | A00843 | Rossetti, Dante Gabriel | artist | 461 | The Adoration | 1858–64 | Watercolour on paper | Purchased 1924 | 1858 | 1924 | support: 406 x 292 mm | 406 | 292 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00843_8.jpg | http://www.tate.org.uk/art/artworks/rossetti-the-adoration-a00843 | |||
| 12765 | A00844 | Rossetti, Dante Gabriel | artist | 461 | King David | 1858–64 | Watercolour on paper | Purchased 1924 | 1858 | 1924 | support: 279 x 127 mm | 279 | 127 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00844_8.jpg | http://www.tate.org.uk/art/artworks/rossetti-king-david-a00844 | |||
| 12766 | A00845 | Rossetti, Dante Gabriel | artist | 461 | Fanny Cornforth | 1859 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1859 | 1927 | support: 140 x 146 mm | 140 | 146 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A00/A00845_8.jpg | http://www.tate.org.uk/art/artworks/rossetti-fanny-cornforth-a00845 | ||
| 13107 | A00850 | Sargent, John Singer | artist | 475 | Dorothy Barnard | 1885–6 | Graphite on paper | Bequeathed by Miss Dorothy Barnard 1949 | 1885 | 1949 | support: 248 x 210 mm | 248 | 210 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00850_8.jpg | http://www.tate.org.uk/art/artworks/sargent-dorothy-barnard-a00850 | |||
| 13108 | A00851 | Sargent, John Singer | artist | 475 | Polly Barnard | 1885–6 | Graphite on paper | Bequeathed by Miss Dorothy Barnard 1949 | 1885 | 1949 | support: 279 x 235 mm | 279 | 235 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00851_8.jpg | http://www.tate.org.uk/art/artworks/sargent-polly-barnard-a00851 | |||
| 13616 | A00864 | Smith, Sidney Robert James | artist | 509 | Project for the Facade of the Tate Gallery | c.1893 | Ink on paper | Presented by the artist 1900 | 1893 | 1900 | support: 457 x 695 mm | 457 | 695 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00864_8.jpg | http://www.tate.org.uk/art/artworks/smith-project-for-the-facade-of-the-tate-gallery-a00864 | |||
| 13617 | A00865 | Smith, Sidney Robert James | artist | 509 | Project for the Facade of the Tate Gallery | c.1893 | Ink on paper | Presented by the artist 1900 | 1893 | 1900 | support: 305 x 683 mm | 305 | 683 | mm | http://www.tate.org.uk/art/artworks/smith-project-for-the-facade-of-the-tate-gallery-a00865 | ||||
| 13840 | A00866 | Stevens, Alfred | artist | 525 | Studies of Angels etc. for the Dome of St Paul’s | c.1862–7 | Graphite on paper | Purchased 1905 | 1862 | 1905 | support: 308 x 257 mm | 308 | 257 | mm | http://www.tate.org.uk/art/images/work/A/A00/A00866_8.jpg | http://www.tate.org.uk/art/artworks/stevens-studies-of-angels-etc-for-the-dome-of-st-pauls-a00866 | |||
| 14386 | A00879 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00879_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00879 | |||||||
| 14387 | A00880 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00880_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00880 | |||||||
| 14388 | A00881 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00881_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00881 | |||||||
| 14389 | A00882 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00882_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00882 | |||||||
| 14390 | A00883 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00883_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00883 | |||||||
| 14391 | A00884 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00884_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00884 | |||||||
| 14392 | A00885 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00885_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00885 | |||||||
| 14393 | A00886 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00886_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00886 | |||||||
| 14394 | A00887 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00887_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00887 | |||||||
| 14395 | A00888 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00888_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00888 | |||||||
| 14396 | A00889 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00889_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00889 | |||||||
| 14397 | A00890 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00890_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00890 | |||||||
| 14398 | A00891 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00891_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00891 | |||||||
| 14399 | A00892 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00892_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00892 | |||||||
| 14400 | A00893 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00893_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00893 | |||||||
| 14401 | A00894 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00894_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00894 | |||||||
| 14402 | A00895 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00895_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00895 | |||||||
| 14403 | A00896 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00896_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00896 | |||||||
| 14404 | A00897 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00897_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00897 | |||||||
| 14405 | A00898 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00898_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00898 | |||||||
| 14406 | A00899 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00899_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00899 | |||||||
| 14407 | A00900 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00900_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00900 | |||||||
| 14408 | A00901 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00901_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00901 | |||||||
| 14409 | A00902 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00902_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00902 | |||||||
| 14410 | A00903 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00903_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00903 | |||||||
| 14411 | A00904 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00904_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00904 | |||||||
| 14412 | A00905 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00905_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00905 | |||||||
| 14413 | A00906 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00906_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00906 | |||||||
| 14414 | A00907 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00907_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00907 | |||||||
| 14415 | A00908 | Townroe, Reuben | artist | 554 | [title not known] | c.1858 | Watercolour on paper | Purchased 1905 | 1858 | 1905 | http://www.tate.org.uk/art/images/work/A/A00/A00908_8.jpg | http://www.tate.org.uk/art/artworks/townroe-title-not-known-a00908 | |||||||
| 16041 | A01016 | Webb, Philip | artist | 589 | Study for Heraldic Glass | 1893 | Watercolour, ink and graphite on paper | Bequeathed by J.R. Holliday 1927 | 1893 | 1927 | support: 165 x 157 mm | 165 | 157 | mm | http://www.tate.org.uk/art/images/work/A/A01/A01016_8.jpg | http://www.tate.org.uk/art/artworks/webb-study-for-heraldic-glass-a01016 | |||
| 16042 | A01017 | Webb, Philip | artist | 589 | Study for Heraldic Glass | 1893 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1893 | 1927 | support: 267 x 279 mm | 267 | 279 | mm | http://www.tate.org.uk/art/images/work/A/A01/A01017_8.jpg | http://www.tate.org.uk/art/artworks/webb-study-for-heraldic-glass-a01017 | |||
| 16043 | A01018 | Webb, Philip | artist | 589 | Emblems of Saints Luke and John | 1863 | Watercolour, ink and graphite on paper | Bequeathed by J.R. Holliday 1927 | 1863 | 1927 | support: 346 x 492 mm | 346 | 492 | mm | http://www.tate.org.uk/art/images/work/A/A01/A01018_8.jpg | http://www.tate.org.uk/art/artworks/webb-emblems-of-saints-luke-and-john-a01018 | |||
| 16044 | A01019 | Webb, Philip | artist | 589 | Emblems of Saints Matthew and Mark | 1863 | Watercolour, ink and graphite on paper | Bequeathed by J.R. Holliday 1927 | 1863 | 1927 | support: 356 x 530 mm | 356 | 530 | mm | http://www.tate.org.uk/art/images/work/A/A01/A01019_8.jpg | http://www.tate.org.uk/art/artworks/webb-emblems-of-saints-matthew-and-mark-a01019 | |||
| 2252 | A01067 | Clarke Hall, Lady Edna | artist | 914 | Seated Woman | c.1899 | Ink and watercolour on paper | Presented by Mrs F. Samuel, Mrs E. Bishop and Michel H. Salaman through the Contemporary Art Society 1941 | 1899 | 1941 | support: 356 x 254 mm | 356 | 254 | mm | © Tate | http://www.tate.org.uk/art/images/work/A/A01/A01067_8.jpg | http://www.tate.org.uk/art/artworks/clarke-hall-seated-woman-a01067 | ||
| 1746 | A01161 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study for ‘Buondelmonte’s Wedding’ | c.1859 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1859 | 1927 | support: 235 x 311 mm | 235 | 311 | mm | http://www.tate.org.uk/art/images/work/A/A01/A01161_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-for-buondelmontes-wedding-a01161 | |||
| 1747 | A01162 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study for ‘Buondelmonte’s Wedding’ | c.1859 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1859 | 1927 | support: 235 x 270 mm | 235 | 270 | mm | http://www.tate.org.uk/art/images/work/A/A01/A01162_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-for-buondelmontes-wedding-a01162 | |||
| 1748 | A01163 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Composition Study for ‘Ezekiel and the Boiling Pot’ | c.1860 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1860 | 1927 | support: 181 x 133 mm | 181 | 133 | mm | http://www.tate.org.uk/art/images/work/A/A01/A01163_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-composition-study-for-ezekiel-and-the-boiling-pot-a01163 | |||
| 1749 | A01164 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Composition Study for ‘Ezekiel and the Boiling Pot’ | c.1860 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1860 | 1927 | support: 178 x 133 mm | 178 | 133 | mm | http://www.tate.org.uk/art/images/work/A/A01/A01164_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-composition-study-for-ezekiel-and-the-boiling-pot-a01164 | |||
| 1750 | A01165 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study of Ezekiel’s Hand for ‘Ezekiel and the Boiling Pot’ | c.1860 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1860 | 1927 | support: 44 x 117 mm | 44 | 117 | mm | http://www.tate.org.uk/art/images/work/A/A01/A01165_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-of-ezekiels-hand-for-ezekiel-and-the-boiling-pot-a01165 | |||
| 1751 | A01166 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Study of Ezekiel’s Arm and Hand for ‘Ezekiel and the Boiling Pot’ | c.1860 | Graphite on paper | Bequeathed by J.R. Holliday 1927 | 1860 | 1927 | support: 35 x 57 mm | 35 | 57 | mm | http://www.tate.org.uk/art/images/work/A/A01/A01166_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-study-of-ezekiels-arm-and-hand-for-ezekiel-and-the-boiling-pot-a01166 | |||
| 1754 | A01169 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Lovers in a Garden | ?1863 | Graphite and watercolour on paper | Bequeathed by J.R. Holliday 1927 | 1863 | 1927 | support: 216 x 362 mm | 216 | 362 | mm | http://www.tate.org.uk/art/images/work/A/A01/A01169_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-lovers-in-a-garden-a01169 | |||
| 1755 | A01170 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Figure of a Queen | 1861 | Watercolour and graphite on fabric | Bequeathed by J.R. Holliday 1927 | 1861 | 1927 | support: 254 x 130 mm | 254 | 130 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A01/A01170_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-figure-of-a-queen-a01170 | ||
| 1756 | A01171 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Thisbe | 1861 | Graphite and watercolour on fabric | Bequeathed by J.R. Holliday 1927 | 1861 | 1927 | support: 254 x 133 mm | 254 | 133 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A01/A01171_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-thisbe-a01171 | ||
| 1757 | A01172 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | Dido | 1861 | Graphite and watercolour on fabric | Bequeathed by J.R. Holliday 1927 | 1861 | 1927 | support: 254 x 127 mm | 254 | 127 | mm | date inscribed | http://www.tate.org.uk/art/images/work/A/A01/A01172_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-dido-a01172 | ||
| 38243 | D10868 | Turner, Joseph Mallord William | artist | 558 | Executors’ Inscriptions | c.1856 | Pen and ink and graphite on paper | Accepted by the nation as part of the Turner Bequest 1856 | 1856 | 1856 | support: 154 x 97 mm | 154 | 97 | mm | http://www.tate.org.uk/art/images/work/D/D10/D10868_8.jpg | http://www.tate.org.uk/art/artworks/turner-executors-inscriptions-d10868 | |||
| 10472 | N00396 | Mulready, William | artist | 392 | The Young Brother | 1856–7, exhibited 1857 | Oil paint on canvas | Presented by the executors of Robert Vernon 1857 | 1856 | 1857 | support: 775 x 629 mm | 775 | 629 | mm | http://www.tate.org.uk/art/images/work/N/N00/N00396_8.jpg | http://www.tate.org.uk/art/artworks/mulready-the-young-brother-n00396 | |||
| 4076 | N00399 | Eastlake, Sir Charles Lock | artist | 166 | The Escape of Francesco Novello di Carrara, with his Wife, from the Duke of Milan | exhibited 1850 | Oil paint on canvas | Presented by Robert Vernon 1847 | 1850 | 1847 | support: 1270 x 1016 mm | 1270 | 1016 | mm | http://www.tate.org.uk/art/images/work/N/N00/N00399_8.jpg | http://www.tate.org.uk/art/artworks/eastlake-the-escape-of-francesco-novello-di-carrara-with-his-wife-from-the-duke-of-milan-n00399 | |||
| 8346 | N00415 | Landseer, Sir Edwin Henry | artist | 323 | A Dialogue at Waterloo | exhibited 1850 | Oil paint on canvas | Presented by Robert Vernon 1847 | 1850 | 1847 | support: 1937 x 3880 mm | 1937 | 3880 | mm | http://www.tate.org.uk/art/images/work/N/N00/N00415_8.jpg | http://www.tate.org.uk/art/artworks/landseer-a-dialogue-at-waterloo-n00415 | |||
| 14807 | N00553 | Turner, Joseph Mallord William | artist | 558 | Mercury Sent to Admonish Aeneas | exhibited 1850 | Oil paint on canvas | Accepted by the nation as part of the Turner Bequest 1856 | 1850 | 1856 | support: 902 x 1206 mm frame: 1230 x 1540 x 150 mm | 902 | 1206 | mm | http://www.tate.org.uk/art/images/work/N/N00/N00553_8.jpg | http://www.tate.org.uk/art/artworks/turner-mercury-sent-to-admonish-aeneas-n00553 | |||
| 14808 | N00554 | Turner, Joseph Mallord William | artist | 558 | The Departure of the Fleet | exhibited 1850 | Oil paint on canvas | Accepted by the nation as part of the Turner Bequest 1856 | 1850 | 1856 | support: 899 x 1203 mm frame: 1230 x 1540 x 150 mm | 899 | 1203 | mm | http://www.tate.org.uk/art/images/work/N/N00/N00554_8.jpg | http://www.tate.org.uk/art/artworks/turner-the-departure-of-the-fleet-n00554 | |||
| 14809 | N00555 | Turner, Joseph Mallord William | artist | 558 | The Visit to the Tomb | exhibited 1850 | Oil paint on canvas | Accepted by the nation as part of the Turner Bequest 1856 | 1850 | 1856 | support: 914 x 1219 mm frame: 1230 x 1535 x 150 mm | 914 | 1219 | mm | http://www.tate.org.uk/art/images/work/N/N00/N00555_8.jpg | http://www.tate.org.uk/art/artworks/turner-the-visit-to-the-tomb-n00555 | |||
| 13271 | N00563 | Seddon, Thomas | artist | 483 | Jerusalem and the Valley of Jehoshaphat from the Hill of Evil Counsel | 1854–5 | Oil paint on canvas | Presented by subscribers 1857 | 1854 | 1857 | frame: 870 x 1030 x 100 mm support: 673 x 832 mm | 870 | 1030 | 100 | mm | http://www.tate.org.uk/art/images/work/N/N00/N00563_8.jpg | http://www.tate.org.uk/art/artworks/seddon-jerusalem-and-the-valley-of-jehoshaphat-from-the-hill-of-evil-counsel-n00563 | ||
| 1378 | N00601 | Boxall, Sir William | artist | 47 | Geraldine | exhibited 1850 | Oil paint on canvas | Presented by James Booth at the wish of the late John Kenyon 1858 | 1850 | 1858 | support: 1156 x 838 mm | 1156 | 838 | mm | http://www.tate.org.uk/art/images/work/N/N00/N00601_8.jpg | http://www.tate.org.uk/art/artworks/boxall-geraldine-n00601 | |||
| 4672 | N00615 | Frith, William Powell | artist | 194 | The Derby Day | 1856–8 | Oil paint on canvas | Bequeathed by Jacob Bell 1859 | 1856 | 1859 | support: 1016 x 2235 mm frame: 1405 x 2640 x 140 mm | 1016 | 2235 | mm | http://www.tate.org.uk/art/images/work/N/N00/N00615_8.jpg | http://www.tate.org.uk/art/artworks/frith-the-derby-day-n00615 | |||
| 15918 | N00616 | Ward, Edward Matthew | artist | 580 | James II in his Palace of Whitehall, Receiving the News of the Landing of the Prince of Orange, in 1688 | exhibited 1850 | Oil paint on canvas | Bequeathed by Jacob Bell 1859 | 1850 | 1859 | support: 1206 x 1822 mm | 1206 | 1822 | mm | http://www.tate.org.uk/art/artworks/ward-james-ii-in-his-palace-of-whitehall-receiving-the-news-of-the-landing-of-the-prince-n00616 | ||||
| 3991 | N00617 | Douglas, Sir William Fettes | artist | 157 | Bibliomania | ?1852 | Oil paint on canvas | Bequeathed by Jacob Bell 1859 | 1852 | 1859 | support: 889 x 1295 mm | 889 | 1295 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N00/N00617_8.jpg | http://www.tate.org.uk/art/artworks/douglas-bibliomania-n00617 | ||
| 10934 | N00618 | O'Neill, George Bernard | artist | 405 | The Foundling | 1852 | Oil paint on canvas | Bequeathed by Jacob Bell 1859 | 1852 | 1859 | support: 698 x 1194 mm frame: 1005 x 1490 x 120 mm | 698 | 1194 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N00/N00618_8.jpg | http://www.tate.org.uk/art/artworks/oneill-the-foundling-n00618 | ||
| 8511 | N00619 | Lee, Frederick Richard | artist | 339 | Evening in the Meadows (cattle by Thomas Sidney Cooper) | exhibited 1854 | Oil paint on canvas | Bequeathed by Jacob Bell 1859 | 1854 | 1859 | support: 952 x 1308 mm | 952 | 1308 | mm | http://www.tate.org.uk/art/images/work/N/N00/N00619_8.jpg | http://www.tate.org.uk/art/artworks/lee-cooper-evening-in-the-meadows-cattle-by-thomas-sidney-cooper-n00619 | |||
| 8512 | N00620 | Lee, Frederick Richard | artist | 339 | A River Scene (cattle by Thomas Sidney Cooper) | 1855 | Oil paint on canvas | Bequeathed by Jacob Bell 1859 | 1855 | 1859 | support: 1270 x 1835 mm | 1270 | 1835 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N00/N00620_8.jpg | http://www.tate.org.uk/art/artworks/lee-cooper-a-river-scene-cattle-by-thomas-sidney-cooper-n00620 | ||
| 16215 | N00662 | Williams, Penry | artist | 604 | Neapolitan Peasants at a Fountain | 1859 | Oil paint on canvas | Bequeathed by Mrs Huskinsson 1860 | 1859 | 1860 | support: 1067 x 1530 mm | 1067 | 1530 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N00/N00662_8.jpg | http://www.tate.org.uk/art/artworks/williams-neapolitan-peasants-at-a-fountain-n00662 | ||
| 573 | N00759 | Armitage, Edward | artist | 11 | The Remorse of Judas | 1866 | Oil paint on canvas | Presented by the artist 1866 | 1866 | 1866 | support: 1276 x 2013 mm frame: 1590 x 2327 x 150 mm | 1276 | 2013 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N00/N00759_8.jpg | http://www.tate.org.uk/art/artworks/armitage-the-remorse-of-judas-n00759 | ||
| 2958 | N00795 | Cruikshank, George | artist | 127 | The Worship of Bacchus | 1860–2 | Oil paint on canvas | Presented by R.E. Lofft and friends 1869 | 1860 | 1869 | support: 2360 x 4060 mm | 2360 | 4060 | mm | http://www.tate.org.uk/art/images/work/N/N00/N00795_8.jpg | http://www.tate.org.uk/art/artworks/cruikshank-the-worship-of-bacchus-n00795 | |||
| 7736 | N00800 | Jones, George | artist | 300 | Lucknow: Evening. The Sufferers Besieged at Lucknow, Rescued by General Lord Clyde; November | exhibited 1869 | Oil paint on canvas | Presented by the artist 1869 | 1869 | 1869 | support: 1092 x 2083 mm | 1092 | 2083 | mm | http://www.tate.org.uk/art/images/work/N/N00/N00800_8.jpg | http://www.tate.org.uk/art/artworks/jones-lucknow-evening-the-sufferers-besieged-at-lucknow-rescued-by-general-lord-clyde-n00800 | |||
| 7737 | N00801 | Jones, George | artist | 300 | Cawnpore, the Passage of the Ganges at Cawnpore on the 29th and 30th November 1857 | exhibited 1869 | Oil paint on canvas | Presented by the artist 1869 | 1869 | 1869 | support: 1092 x 2083 mm | 1092 | 2083 | mm | http://www.tate.org.uk/art/images/work/N/N00/N00801_8.jpg | http://www.tate.org.uk/art/artworks/jones-cawnpore-the-passage-of-the-ganges-at-cawnpore-on-the-29th-and-30th-november-1857-n00801 | |||
| 12158 | N01091 | Poole, Paul Falconer | artist | 430 | The Vision of Ezekiel | exhibited 1875 | Oil paint on canvas | Bequeathed by the artist 1880 | 1875 | 1880 | support: 1370 x 1870 mm | 1370 | 1870 | mm | http://www.tate.org.uk/art/artworks/poole-the-vision-of-ezekiel-n01091 | ||||
| 8442 | N01142 | Lawson, Cecil | artist | 335 | The August Moon | 1880 | Oil paint on canvas | Presented by the artist's widow 1883 | 1880 | 1883 | support: 1689 x 3045 mm | 1689 | 3045 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01142_8.jpg | http://www.tate.org.uk/art/artworks/lawson-the-august-moon-n01142 | ||
| 1486 | N01205 | Bridell, Frederick Lee | artist | 54 | The Woods of Sweet Chestnut above Varenna, Lake Como | 1860 | Oil paint on canvas | Presented by Mrs Bridell-Fox 1886 | 1860 | 1886 | support: 559 x 1505 mm frame: 855 x 1782 x 98 mm | 559 | 1505 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01205_8.jpg | http://www.tate.org.uk/art/artworks/bridell-the-woods-of-sweet-chestnut-above-varenna-lake-como-n01205 | ||
| 15803 | N01209 | Walker, Frederick | artist | 575 | The Vagrants | 1868 | Oil paint on canvas | Purchased 1886 | 1868 | 1886 | support: 832 x 1264 mm frame: 1027 x 1567 x 120 mm | 832 | 1264 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01209_8.jpg | http://www.tate.org.uk/art/artworks/walker-the-vagrants-n01209 | |||
| 12769 | N01279 | Rossetti, Dante Gabriel | artist | 461 | Beata Beatrix | c.1864–70 | Oil paint on canvas | Presented by Georgiana, Baroness Mount-Temple in memory of her husband, Francis, Baron Mount-Temple 1889 | 1864 | 1889 | support: 864 x 660 mm frame: 1212 x 1015 x 104 mm | 864 | 660 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01279_8.jpg | http://www.tate.org.uk/art/artworks/rossetti-beata-beatrix-n01279 | |||
| 13220 | N01322 | Scott, William Bell | artist | 481 | The Eve of the Deluge | 1865 | Oil paint on canvas | Presented by Miss Alice Boyd 1891 | 1865 | 1891 | support: 324 x 445 mm frame: 620 x 745 x 115 mm | 324 | 445 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01322_8.jpg | http://www.tate.org.uk/art/artworks/scott-the-eve-of-the-deluge-n01322 | ||
| 8354 | N01350 | Landseer, Sir Edwin Henry | artist | 323 | Study of a Lion | c.1862 | Oil paint on canvas | Bequeathed by Thomas Hyde Hills 1892 | 1862 | 1892 | support: 914 x 1378 mm frame: 1175 x 1634 x 90 mm, 39 kg | 914 | 1378 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01350_8.jpg | http://www.tate.org.uk/art/artworks/landseer-study-of-a-lion-n01350 | |||
| 1580 | N01356 | Brown, Ford Madox | artist | 65 | Cathy Madox Brown at the Age of Three | 1853 | Graphite on paper | Purchased 1923 | 1853 | 1923 | support: 171 x 146 mm | 171 | 146 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01356_8.jpg | http://www.tate.org.uk/art/artworks/brown-cathy-madox-brown-at-the-age-of-three-n01356 | ||
| 4090 | N01385 | Egg, Augustus Leopold | artist | 169 | Beatrix Knighting Esmond | 1857 | Oil paint on canvas | Purchased 1893 | 1857 | 1893 | support: 869 x 1171 mm | 869 | 1171 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01385_8.jpg | http://www.tate.org.uk/art/artworks/egg-beatrix-knighting-esmond-n01385 | ||
| 9361 | N01388 | Mason, George | artist | 373 | The Cast Shoe | exhibited 1865 | Oil paint on canvas | Purchased 1893 | 1865 | 1893 | support: 311 x 508 mm | 311 | 508 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01388_8.jpg | http://www.tate.org.uk/art/artworks/mason-the-cast-shoe-n01388 | |||
| 16208 | N01389 | Willcock, George Burrell | artist | 601 | Chelston Lane, Torquay | 1851 | Oil paint on canvas | Purchased 1893 | 1851 | 1893 | support: 616 x 514 mm | 616 | 514 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01389_8.jpg | http://www.tate.org.uk/art/artworks/willcock-chelston-lane-torquay-n01389 | ||
| 15804 | N01391 | Walker, Frederick | artist | 575 | The Harbour of Refuge | 1872 | Oil paint on canvas | Presented by Sir William Agnew Bt 1893 | 1872 | 1893 | support: 1168 x 1975 mm | 1168 | 1975 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01391_8.jpg | http://www.tate.org.uk/art/artworks/walker-the-harbour-of-refuge-n01391 | |||
| 885 | N01392 | Bell, John Zephaniah | artist | 32 | Cardinal Bourchier Urges the Widow of Edward IV to Let her Son out of Sanctuary | exhibited 1868 | Oil paint on canvas | Presented by the artist's widow 1893 | 1868 | 1893 | support: 1321 x 1765 mm | 1321 | 1765 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01392_8.jpg | http://www.tate.org.uk/art/artworks/bell-cardinal-bourchier-urges-the-widow-of-edward-iv-to-let-her-son-out-of-sanctuary-n01392 | |||
| 1581 | N01394 | Brown, Ford Madox | artist | 65 | Jesus Washing Peter’s Feet | 1852–6 | Oil paint on canvas | Presented by subscribers 1893 | 1852 | 1893 | support: 1168 x 1333 mm frame: 1475 x 1640 x 98 mm | 1168 | 1333 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01394_8.jpg | http://www.tate.org.uk/art/artworks/brown-jesus-washing-peters-feet-n01394 | ||
| 8671 | N01405 | Lewis, John Frederick | artist | 350 | Edfu, Upper Egypt | 1860 | Oil paint on mahogany | Purchased 1894 | 1860 | 1894 | support: 298 x 775 mm | 298 | 775 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01405_8.jpg | http://www.tate.org.uk/art/artworks/lewis-edfu-upper-egypt-n01405 | ||
| 4063 | N01407 | Dyce, William | artist | 164 | Pegwell Bay, Kent - a Recollection of October 5th 1858 | ?1858–60 | Oil paint on canvas | Purchased 1894 | 1858 | 1894 | support: 635 x 889 mm frame: 950 x 1200 x 125 mm | 635 | 889 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01407_8.jpg | http://www.tate.org.uk/art/artworks/dyce-pegwell-bay-kent-a-recollection-of-october-5th-1858-n01407 | |||
| 7024 | N01477 | Inchbold, John William | artist | 293 | The Moorland (Dewar-stone, Dartmoor) | 1854 | Oil paint on canvas | Bequeathed by Sir J. Russell Reynolds Bt 1896 | 1854 | 1896 | support: 356 x 533 mm frame: 540 x 710 x 75 mm | 356 | 533 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01477_8.jpg | http://www.tate.org.uk/art/artworks/inchbold-the-moorland-dewar-stone-dartmoor-n01477 | ||
| 9504 | N01494 | Millais, Sir John Everett, Bt | artist | 379 | The Yeoman of the Guard | 1876 | Oil paint on canvas | Bequeathed by Mrs Hodgkinson 1897 | 1876 | 1897 | support: 1397 x 1118 mm | 1397 | 1118 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01494_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-yeoman-of-the-guard-n01494 | ||
| 9352 | N01500 | Martineau, Robert Braithwaite | artist | 372 | The Last Day in the Old Home | 1862 | Oil paint on canvas | Presented by E.H. Martineau 1896 | 1862 | 1896 | support: 1073 x 1448 mm frame: 1418 x 1808 x 140 mm | 1073 | 1448 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01500_8.jpg | http://www.tate.org.uk/art/artworks/martineau-the-last-day-in-the-old-home-n01500 | ||
| 8555 | N01501 | Legros, Alphonse | artist | 341 | Femmes en Prière | 1888 | Oil paint on canvas | Presented by subscribers 1897 | 1888 | 1897 | support: 1335 x 1770 mm frame: 1750 x 2200 x 150mm | 1335 | 1770 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01501_8.jpg | http://www.tate.org.uk/art/artworks/legros-femmes-en-priere-n01501 | ||
| 9034 | N01502 | Macallum, Hamilton | artist | 357 | The Crofter’s Team | 1896 | Oil paint on canvas | Presented by E. Homan 1897 | 1896 | 1897 | support: 910 x 1710 mm | 910 | 1710 | mm | date inscribed | http://www.tate.org.uk/art/artworks/macallum-the-crofters-team-n01502 | |||
| 9505 | N01503 | Millais, Sir John Everett, Bt | artist | 379 | Equestrian Portrait (begun by Sir Edwin Landseer) | 1882 | Oil paint on canvas | Presented anonymously 1897 | 1882 | 1897 | support: 3299 x 2444 mm | 3299 | 2444 | mm | date inscribed | http://www.tate.org.uk/art/artworks/millais-equestrian-portrait-begun-by-sir-edwin-landseer-n01503 | |||
| 9506 | N01506 | Millais, Sir John Everett, Bt | artist | 379 | Ophelia | 1851–2 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1851 | 1894 | support: 762 x 1118 mm frame: 1105 x 1458 x 145 mm | 762 | 1118 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01506_8.jpg | http://www.tate.org.uk/art/artworks/millais-ophelia-n01506 | ||
| 9507 | N01507 | Millais, Sir John Everett, Bt | artist | 379 | The Vale of Rest | 1858–9 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1858 | 1894 | support: 1029 x 1727 mm frame: 1423 x 2102 x 133 mm | 1029 | 1727 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01507_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-vale-of-rest-n01507 | ||
| 9508 | N01508 | Millais, Sir John Everett, Bt | artist | 379 | The Knight Errant | 1870 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1870 | 1894 | support: 1841 x 1353 mm | 1841 | 1353 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01508_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-knight-errant-n01508 | ||
| 9509 | N01509 | Millais, Sir John Everett, Bt | artist | 379 | The North-West Passage | 1874 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1874 | 1894 | support: 1765 x 2222 mm frame: 2155 x 2620 x 145 mm | 1765 | 2222 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01509_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-north-west-passage-n01509 | ||
| 9510 | N01510 | Millais, Sir John Everett, Bt | artist | 379 | Mercy: St Bartholomew’s Day, 1572 | 1886 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1886 | 1894 | support: 1841 x 1308 mm | 1841 | 1308 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01510_8.jpg | http://www.tate.org.uk/art/artworks/millais-mercy-st-bartholomews-day-1572-n01510 | ||
| 8576 | N01511 | Leighton, Lord Frederic | artist | 342 | And the Sea Gave Up the Dead Which Were in It | exhibited 1892 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1892 | 1894 | support: 2286 x 2286 mm | 2286 | 2286 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01511_8.jpg | http://www.tate.org.uk/art/artworks/leighton-and-the-sea-gave-up-the-dead-which-were-in-it-n01511 | |||
| 6698 | N01512 | Hook, James Clarke | artist | 275 | Home with the Tide | 1880 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1880 | 1894 | support: 889 x 1397 mm frame: 1229 x 1741 x 154 mm | 889 | 1397 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01512_8.jpg | http://www.tate.org.uk/art/artworks/hook-home-with-the-tide-n01512 | ||
| 6699 | N01513 | Hook, James Clarke | artist | 275 | Young Dreams | 1887 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1887 | 1894 | support: 1060 x 1422 mm | 1060 | 1422 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01513_8.jpg | http://www.tate.org.uk/art/artworks/hook-young-dreams-n01513 | ||
| 6700 | N01514 | Hook, James Clarke | artist | 275 | The Seaweed Raker | 1889 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1889 | 1894 | frame: 1033 x 1540 x 160 mm, 39 kg support: 730 x 1238 mm | 1033 | 1540 | 160 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01514_8.jpg | http://www.tate.org.uk/art/artworks/hook-the-seaweed-raker-n01514 | |
| 12639 | N01515 | Riviere, Briton | artist | 453 | The Miracle of the Gaderene Swine | 1883 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1883 | 1894 | support: 1079 x 1607 mm | 1079 | 1607 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01515_8.jpg | http://www.tate.org.uk/art/artworks/riviere-the-miracle-of-the-gaderene-swine-n01515 | ||
| 12640 | N01516 | Riviere, Briton | artist | 453 | Giants at Play | 1882 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1882 | 1894 | support: 838 x 1353 mm frame: 1253 x 1779 x 107 mm | 838 | 1353 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01516_8.jpg | http://www.tate.org.uk/art/artworks/riviere-giants-at-play-n01516 | ||
| 12641 | N01517 | Riviere, Briton | artist | 453 | Companions in Misfortune | 1883 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1883 | 1894 | support: 876 x 1283 mm | 876 | 1283 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01517_8.jpg | http://www.tate.org.uk/art/artworks/riviere-companions-in-misfortune-n01517 | ||
| 12642 | N01518 | Riviere, Briton | artist | 453 | A Blockade Runner | 1888 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1888 | 1894 | support: 597 x 438 mm frame: 920 x 760 x 125 mm | 597 | 438 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01518_8.jpg | http://www.tate.org.uk/art/artworks/riviere-a-blockade-runner-n01518 | ||
| 10954 | N01519 | Orchardson, Sir William Quiller | artist | 407 | Her First Dance | 1884 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1884 | 1894 | support: 1016 x 1384 mm | 1016 | 1384 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01519_8.jpg | http://www.tate.org.uk/art/artworks/orchardson-her-first-dance-n01519 | ||
| 10955 | N01520 | Orchardson, Sir William Quiller | artist | 407 | The First Cloud | 1887 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1887 | 1894 | support: 832 x 1213 mm | 832 | 1213 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01520_8.jpg | http://www.tate.org.uk/art/artworks/orchardson-the-first-cloud-n01520 | ||
| 10956 | N01521 | Orchardson, Sir William Quiller | artist | 407 | Her Mother’s Voice | exhibited 1888 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1888 | 1894 | support: 1016 x 1486 mm | 1016 | 1486 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01521_8.jpg | http://www.tate.org.uk/art/artworks/orchardson-her-mothers-voice-n01521 | |||
| 4277 | N01522 | Fildes, Sir Luke | artist | 183 | The Doctor | exhibited 1891 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1891 | 1894 | support: 1664 x 2419 mm frame: 2075 x 2875 x 210 mm | 1664 | 2419 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01522_8.jpg | http://www.tate.org.uk/art/artworks/fildes-the-doctor-n01522 | |||
| 496 | N01523 | Alma-Tadema, Sir Lawrence | artist | 6 | A Silent Greeting | 1889 | Oil paint on wood | Presented by Sir Henry Tate 1894 | 1889 | 1894 | support: 305 x 229 mm frame: 563 x 487 x 83 mm | 305 | 229 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01523_8.jpg | http://www.tate.org.uk/art/artworks/alma-tadema-a-silent-greeting-n01523 | |||
| 5562 | N01524 | Graham, Peter | artist | 221 | A Rainy Day | 1871 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1871 | 1894 | support: 1168 x 1803 mm | 1168 | 1803 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01524_8.jpg | http://www.tate.org.uk/art/artworks/graham-a-rainy-day-n01524 | ||
| 4214 | N01525 | Faed, Thomas | artist | 174 | The Silken Gown | 1860 or 63 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1860 | 1894 | support: 955 x 767 mm | 955 | 767 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01525_8.jpg | http://www.tate.org.uk/art/artworks/faed-the-silken-gown-n01525 | ||
| 4215 | N01526 | Faed, Thomas | artist | 174 | Faults on Both Sides | 1861 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1861 | 1894 | support: 673 x 552 mm frame: 1023 x 892 x 116 mm | 673 | 552 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01526_8.jpg | http://www.tate.org.uk/art/artworks/faed-faults-on-both-sides-n01526 | ||
| 4216 | N01527 | Faed, Thomas | artist | 174 | Highland Mother | exhibited 1870 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1870 | 1894 | support: 267 x 203 mm | 267 | 203 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01527_8.jpg | http://www.tate.org.uk/art/artworks/faed-highland-mother-n01527 | |||
| 3657 | N01528 | Davis, Henry William Banks | artist | 139 | Mother and Son | 1881 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1881 | 1894 | support: 508 x 762 mm frame: 835 x 1090 x 140 mm | 508 | 762 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01528_8.jpg | http://www.tate.org.uk/art/artworks/davis-mother-and-son-n01528 | ||
| 5549 | N01529 | Gow, Andrew Carrick | artist | 218 | A Musical Story by Chopin | 1879 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1879 | 1894 | support: 698 x 902 mm frame: 1045 x 1253 x 133 mm | 698 | 902 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01529_8.jpg | http://www.tate.org.uk/art/artworks/gow-a-musical-story-by-chopin-n01529 | ||
| 5550 | N01530 | Gow, Andrew Carrick | artist | 218 | A Lost Cause: Flight of King James II after the Battle of the Boyne | 1888 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1888 | 1894 | support: 1181 x 1511 mm frame: 1615 x 1950 x 135 mm | 1181 | 1511 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01530_8.jpg | http://www.tate.org.uk/art/artworks/gow-a-lost-cause-flight-of-king-james-ii-after-the-battle-of-the-boyne-n01530 | ||
| 16468 | N01531 | Woods, Henry | artist | 610 | Cupid’s Spell | 1885 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1885 | 1894 | support: 1187 x 749 mm | 1187 | 749 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01531_8.jpg | http://www.tate.org.uk/art/artworks/woods-cupids-spell-n01531 | ||
| 11532 | N01534 | Phillip, John | artist | 422 | The Promenade | 1859 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1859 | 1894 | support: 762 x 568 mm frame: 1105 x 920 x 120 mm | 762 | 568 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01534_8.jpg | http://www.tate.org.uk/art/artworks/phillip-the-promenade-n01534 | ||
| 6654 | N01535 | Holl, Frank | artist | 267 | Hush! | 1877 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1877 | 1894 | support: 343 x 445 mm frame: 674 x 775 x 135 mm | 343 | 445 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01535_8.jpg | http://www.tate.org.uk/art/artworks/holl-hush-n01535 | ||
| 6655 | N01536 | Holl, Frank | artist | 267 | Hushed | 1877 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1877 | 1894 | support: 343 x 445 mm frame: 670 x 770 x 140 mm | 343 | 445 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01536_8.jpg | http://www.tate.org.uk/art/artworks/holl-hushed-n01536 | ||
| 10743 | N01537 | Nicol, Erskine | artist | 400 | Wayside Prayer | 1852 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1852 | 1894 | support: 387 x 645 mm | 387 | 645 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01537_8.jpg | http://www.tate.org.uk/art/artworks/nicol-wayside-prayer-n01537 | ||
| 10744 | N01538 | Nicol, Erskine | artist | 400 | The Emigrants | 1864 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1864 | 1894 | support: 457 x 349 mm frame: 714 x 650 x 115 mm | 457 | 349 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01538_8.jpg | http://www.tate.org.uk/art/artworks/nicol-the-emigrants-n01538 | ||
| 1366 | N01539 | Boughton, George Henry | artist | 44 | Weeding the Pavement | 1882 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1882 | 1894 | frame: 1345 x 1955 x 135 mm support: 915 x 1525 mm | 1345 | 1955 | 135 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01539_8.jpg | http://www.tate.org.uk/art/artworks/boughton-weeding-the-pavement-n01539 | |
| 8451 | N01540 | Leader, Benjamin Williams | artist | 336 | The Valley of the Llugwy | 1883 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1883 | 1894 | support: 1194 x 2007 mm | 1194 | 2007 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01540_8.jpg | http://www.tate.org.uk/art/artworks/leader-the-valley-of-the-llugwy-n01540 | ||
| 15982 | N01541 | Waterhouse, John William | artist | 583 | Consulting the Oracle | 1884 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1884 | 1894 | support: 1194 x 1981 mm | 1194 | 1981 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01541_8.jpg | http://www.tate.org.uk/art/artworks/waterhouse-consulting-the-oracle-n01541 | ||
| 15983 | N01542 | Waterhouse, John William | artist | 583 | Saint Eulalia | exhibited 1885 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1885 | 1894 | support: 1886 x 1175 mm frame: 2310 x 1610 x 180 mm | 1886 | 1175 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01542_8.jpg | http://www.tate.org.uk/art/artworks/waterhouse-saint-eulalia-n01542 | |||
| 15984 | N01543 | Waterhouse, John William | artist | 583 | The Lady of Shalott | 1888 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1888 | 1894 | support: 1530 x 2000 mm frame: 2000 x 2460 x 230 mm | 1530 | 2000 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01543_8.jpg | http://www.tate.org.uk/art/artworks/waterhouse-the-lady-of-shalott-n01543 | ||
| 4500 | N01544 | Forbes, Stanhope Alexander | artist | 190 | The Health of the Bride | 1889 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1889 | 1894 | support: 1524 x 2000 mm frame: 2005 x 2465 x 155 mm | 1524 | 2000 | mm | date inscribed | http://www.tate.org.uk/art/artworks/forbes-the-health-of-the-bride-n01544 | |||
| 8861 | N01546 | Linnell, John | artist | 351 | Reapers, Noonday Rest | 1865 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1865 | 1894 | support: 940 x 1397 mm frame: 1180 x 1643 x 128 mm | 940 | 1397 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01546_8.jpg | http://www.tate.org.uk/art/artworks/linnell-reapers-noonday-rest-n01546 | ||
| 8862 | N01547 | Linnell, John | artist | 351 | Contemplation | 1864–5 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1864 | 1894 | support: 718 x 997 mm frame: 1050 x 1335 x 130 mm | 718 | 997 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01547_8.jpg | http://www.tate.org.uk/art/artworks/linnell-contemplation-n01547 | |||
| 5764 | N01548 | Halswelle, Keeley | artist | 233 | Pangbourne | 1881 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1881 | 1894 | support: 908 x 1359 mm | 908 | 1359 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01548_8.jpg | http://www.tate.org.uk/art/artworks/halswelle-pangbourne-n01548 | ||
| 9651 | N01549 | Moore, Albert | artist | 382 | Blossoms | 1881 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1881 | 1894 | support: 1473 x 464 mm frame: 1710 x 710 x 100 mm | 1473 | 464 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01549_8.jpg | http://www.tate.org.uk/art/artworks/moore-blossoms-n01549 | |||
| 5505 | N01550 | Goodwin, Albert | artist | 215 | Shipwreck: Sinbad the Sailor Storing his Raft | 1887 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1887 | 1894 | support: 1245 x 2007 mm | 1245 | 2007 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01550_8.jpg | http://www.tate.org.uk/art/artworks/goodwin-shipwreck-sinbad-the-sailor-storing-his-raft-n01550 | ||
| 15894 | N01551 | Waller, Samuel | artist | 576 | Success! | 1881 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1881 | 1894 | support: 1346 x 2134 mm | 1346 | 2134 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01551_8.jpg | http://www.tate.org.uk/art/artworks/waller-success-n01551 | ||
| 15895 | N01552 | Waller, Samuel | artist | 576 | Sweethearts and Wives | 1882 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1882 | 1894 | support: 1448 x 2019 mm frame: 1850 x 2420 x 180 mm | 1448 | 2019 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01552_8.jpg | http://www.tate.org.uk/art/artworks/waller-sweethearts-and-wives-n01552 | ||
| 1868 | N01553 | Butler, Elizabeth | artist | 71 | The Remnants of an Army | 1879 | Oil paint on canvas | Presented by Sir Henry Tate 1897 | 1879 | 1897 | support: 1321 x 2337 mm frame: 1780 x 2790 x 216 mm | 1321 | 2337 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01553_8.jpg | http://www.tate.org.uk/art/artworks/butler-the-remnants-of-an-army-n01553 | ||
| 5901 | N01554 | Haynes-Williams, John | artist | 246 | Ars Longa, Vita Brevis | 1877 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1877 | 1894 | support: 1289 x 2115 mm frame: 1710 x 2554 x 145 mm | 1289 | 2115 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01554_8.jpg | http://www.tate.org.uk/art/artworks/haynes-williams-ars-longa-vita-brevis-n01554 | ||
| 13059 | N01555 | Sadler, Walter Dendy | artist | 469 | Thursday | 1880 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1880 | 1894 | support: 864 x 1410 mm | 864 | 1410 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01555_8.jpg | http://www.tate.org.uk/art/artworks/sadler-thursday-n01555 | ||
| 13060 | N01556 | Sadler, Walter Dendy | artist | 469 | A Good Story | 1881 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1881 | 1894 | support: 622 x 819 mm frame: 980 x 1083 x 150 mm | 622 | 819 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01556_8.jpg | http://www.tate.org.uk/art/artworks/sadler-a-good-story-n01556 | ||
| 12346 | N01557 | Reid, John Robertson | artist | 442 | A Country Cricket Match | 1878 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1878 | 1894 | support: 1067 x 1816 mm frame: 1510 x 2275 x 150 mm | 1067 | 1816 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01557_8.jpg | http://www.tate.org.uk/art/artworks/reid-a-country-cricket-match-n01557 | ||
| 3990 | N01558 | Douglas, Edwin | artist | 156 | Alderneys (Mother and Daughter) | 1875 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1875 | 1894 | support: 1422 x 1118 mm | 1422 | 1118 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01558_8.jpg | http://www.tate.org.uk/art/artworks/douglas-alderneys-mother-and-daughter-n01558 | ||
| 2007 | N01559 | Carter, Samuel John | artist | 86 | Morning with the Wild Red Deer | 1876 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1876 | 1894 | support: 1485 x 2407 mm | 1485 | 2407 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01559_8.jpg | http://www.tate.org.uk/art/artworks/carter-morning-with-the-wild-red-deer-n01559 | ||
| 7923 | N01560 | Kennington, Thomas Benjamin | artist | 306 | Orphans | 1885 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1885 | 1894 | support: 1016 x 762 mm frame: 1375 x 1115 x 150 mm | 1016 | 762 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01560_8.jpg | http://www.tate.org.uk/art/artworks/kennington-orphans-n01560 | ||
| 15996 | N01561 | Watts, George Frederic | artist | 586 | Self-Portrait | 1864 | Oil paint on canvas | Bequeathed by Sir William Bowman Bt 1898 | 1864 | 1898 | support: 648 x 521 mm frame: 990 x 863 x 90 mm | 648 | 521 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01561_8.jpg | http://www.tate.org.uk/art/artworks/watts-self-portrait-n01561 | ||
| 5504 | N01562 | Goodall, Frederick | artist | 214 | The Ploughman and the Shepherdess: Time of the Evening Prayer | 1897 | Oil paint on canvas | Presented by subscribers 1898 | 1897 | 1898 | support: 1932 x 2448 mm | 1932 | 2448 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01562_8.jpg | http://www.tate.org.uk/art/artworks/goodall-the-ploughman-and-the-shepherdess-time-of-the-evening-prayer-n01562 | ||
| 9511 | N01563 | Millais, Sir John Everett, Bt | artist | 379 | Saint Stephen | 1895 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1895 | 1894 | support: 1524 x 1143 mm | 1524 | 1143 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01563_8.jpg | http://www.tate.org.uk/art/artworks/millais-saint-stephen-n01563 | ||
| 9512 | N01564 | Millais, Sir John Everett, Bt | artist | 379 | A Disciple | 1895 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1895 | 1894 | support: 1250 x 895 mm frame: 1540 x 1188 x 102 mm | 1250 | 895 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01564_8.jpg | http://www.tate.org.uk/art/artworks/millais-a-disciple-n01564 | ||
| 12643 | N01566 | Riviere, Briton | artist | 453 | Sympathy | c.1878 | Oil paint on canvas | Presented by Sir Henry Tate 1897 | 1878 | 1897 | support: 451 x 375 mm frame: 748 x 668 x 123 mm | 451 | 375 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01566_8.jpg | http://www.tate.org.uk/art/artworks/riviere-sympathy-n01566 | |||
| 13757 | N01567 | Stanley, Lady Dorothy | artist | 520 | His First Offence | 1896 | Oil paint on canvas | Presented by Sir Henry Tate 1897 | 1896 | 1897 | support: 629 x 343 mm frame: 812 x 532 x 85 mm | 629 | 343 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01567_8.jpg | http://www.tate.org.uk/art/artworks/stanley-his-first-offence-n01567 | ||
| 9362 | N01568 | Mason, George | artist | 373 | Wind on the Wold | 1863 | Oil paint on canvas | Presented by Sir Henry Tate 1894 | 1863 | 1894 | support: 286 x 540 mm frame: 555 x 810 x 82 mm | 286 | 540 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01568_8.jpg | http://www.tate.org.uk/art/artworks/mason-wind-on-the-wold-n01568 | |||
| 14076 | N01569 | Swan, John Macallan | artist | 539 | The Prodigal Son | 1888 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1889 | 1888 | 1889 | support: 1118 x 1575 mm | 1118 | 1575 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01569_8.jpg | http://www.tate.org.uk/art/artworks/swan-the-prodigal-son-n01569 | ||
| 12229 | N01570 | Prinsep, Valentine Cameron | artist | 434 | Ayesha | exhibited 1887 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1887 | 1887 | 1887 | support: 902 x 698 mm frame: 1195 x 998 x 140 mm | 902 | 698 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01570_8.jpg | http://www.tate.org.uk/art/artworks/prinsep-ayesha-n01570 | |||
| 9143 | N01571 | MacWhirter, John | artist | 367 | June in the Austrian Tyrol | exhibited 1892 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1892 | 1892 | 1892 | support: 1260 x 1871 mm | 1260 | 1871 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01571_8.jpg | http://www.tate.org.uk/art/artworks/macwhirter-june-in-the-austrian-tyrol-n01571 | |||
| 15985 | N01572 | Waterhouse, John William | artist | 583 | The Magic Circle | 1886 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1886 | 1886 | 1886 | support: 1829 x 1270 mm frame: 2245 x 1685 x 175 mm | 1829 | 1270 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01572_8.jpg | http://www.tate.org.uk/art/artworks/waterhouse-the-magic-circle-n01572 | ||
| 1899 | N01573 | Calderon, Philip Hermogenes | artist | 77 | St Elizabeth of Hungary’s Great Act of Renunciation | 1891 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1891 | 1891 | 1891 | support: 1530 x 2134 mm | 1530 | 2134 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01573_8.jpg | http://www.tate.org.uk/art/artworks/calderon-st-elizabeth-of-hungarys-great-act-of-renunciation-n01573 | ||
| 8577 | N01574 | Leighton, Lord Frederic | artist | 342 | The Bath of Psyche | exhibited 1890 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1890 | 1890 | 1890 | support: 1892 x 622 mm frame: 2362 x 1187 x 195 mm | 1892 | 622 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01574_8.jpg | http://www.tate.org.uk/art/artworks/leighton-the-bath-of-psyche-n01574 | |||
| 15762 | N01575 | Von Herkomer, Sir Hubert | artist | 571 | Found | 1884–5 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1885 | 1884 | 1885 | support: 1372 x 2305 mm | 1372 | 2305 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01575_8.jpg | http://www.tate.org.uk/art/artworks/von-herkomer-found-n01575 | ||
| 5752 | N01576 | Hacker, Arthur | artist | 229 | The Annunciation | 1892 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1892 | 1892 | 1892 | support: 2311 x 1257 mm | 2311 | 1257 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01576_8.jpg | http://www.tate.org.uk/art/artworks/hacker-the-annunciation-n01576 | ||
| 12644 | N01577 | Riviere, Briton | artist | 453 | Beyond Man’s Footsteps | exhibited 1894 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1894 | 1894 | 1894 | support: 1190 x 1845 mm frame: 1590 x 2255 x 150 mm | 1190 | 1845 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01577_8.jpg | http://www.tate.org.uk/art/artworks/riviere-beyond-mans-footsteps-n01577 | |||
| 9450 | N01578 | Merritt, Anna Lea | artist | 378 | Love Locked Out | 1890 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1890 | 1890 | 1890 | support: 1156 x 641 mm frame: 1450 x 930 x 110 mm | 1156 | 641 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01578_8.jpg | http://www.tate.org.uk/art/artworks/merritt-love-locked-out-n01578 | ||
| 6999 | N01579 | Hunter, Colin | artist | 288 | Their Only Harvest | 1879 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1879 | 1879 | 1879 | support: 1054 x 1822 mm | 1054 | 1822 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01579_8.jpg | http://www.tate.org.uk/art/artworks/hunter-their-only-harvest-n01579 | ||
| 16493 | N01580 | Wyllie, William Lionel | artist | 618 | Toil, Glitter, Grime and Wealth on a Flowing Tide | 1883 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1883 | 1883 | 1883 | support: 1156 x 1651 mm | 1156 | 1651 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01580_8.jpg | http://www.tate.org.uk/art/artworks/wyllie-toil-glitter-grime-and-wealth-on-a-flowing-tide-n01580 | ||
| 6998 | N01581 | Hunt, Walter | artist | 1325 | The Dog in the Manger | 1885 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1885 | 1885 | 1885 | support: 1016 x 1689 mm | 1016 | 1689 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01581_8.jpg | http://www.tate.org.uk/art/artworks/hunt-the-dog-in-the-manger-n01581 | ||
| 11526 | N01582 | Pettie, John | artist | 421 | The Vigil | exhibited 1884 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1884 | 1884 | 1884 | support: 1158 x 1703 x 33 mm | 1158 | 1703 | 33 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01582_8.jpg | http://www.tate.org.uk/art/artworks/pettie-the-vigil-n01582 | ||
| 13909 | N01583 | Stone, Marcus | artist | 529 | Il y en a toujours un autre | 1882 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1882 | 1882 | 1882 | support: 1537 x 705 mm frame: 1935 x 1110 x 170 mm | 1537 | 705 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01583_8.jpg | http://www.tate.org.uk/art/artworks/stone-il-y-en-a-toujours-un-autre-n01583 | ||
| 9513 | N01584 | Millais, Sir John Everett, Bt | artist | 379 | Speak! Speak! | 1895 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1895 | 1895 | 1895 | support: 1676 x 2108 mm frame: 2090 x 2537 x 135 mm | 1676 | 2108 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01584_8.jpg | http://www.tate.org.uk/art/artworks/millais-speak-speak-n01584 | ||
| 15997 | N01585 | Watts, George Frederic | artist | 586 | Psyche | 1880 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1882 | 1880 | 1882 | support: 1886 x 597 mm frame: 2215 x 933 x 83 mm | 1886 | 597 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01585_8.jpg | http://www.tate.org.uk/art/artworks/watts-psyche-n01585 | |||
| 12220 | N01586 | Poynter, Sir Edward | artist | 433 | A Visit to Aesculapius | 1880 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1880 | 1880 | 1880 | support: 1511 x 2286 mm | 1511 | 2286 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01586_8.jpg | http://www.tate.org.uk/art/artworks/poynter-a-visit-to-aesculapius-n01586 | ||
| 3876 | N01587 | Dicksee, Sir Frank | artist | 149 | Harmony | 1877 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1877 | 1877 | 1877 | support: 1575 x 940 mm | 1575 | 940 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01587_8.jpg | http://www.tate.org.uk/art/artworks/dicksee-harmony-n01587 | ||
| 5551 | N01588 | Gow, Andrew Carrick | artist | 218 | Cromwell at Dunbar | 1886 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1886 | 1886 | 1886 | support: 1206 x 1511 mm frame: 1580 x 1885 x 180mm | 1206 | 1511 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01588_8.jpg | http://www.tate.org.uk/art/artworks/gow-cromwell-at-dunbar-n01588 | ||
| 11370 | N01589 | Parsons, Alfred | artist | 413 | ‘When Nature Painted all Things Gay’ | exhibited 1887 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1887 | 1887 | 1887 | support: 1054 x 1511 mm frame: 1468 x 1925 x 193 mm | 1054 | 1511 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01589_8.jpg | http://www.tate.org.uk/art/artworks/parsons-when-nature-painted-all-things-gay-n01589 | |||
| 5541 | N01590 | Gotch, Thomas Cooper | artist | 217 | Alleluia | exhibited 1896 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1896 | 1896 | 1896 | support: 1333 x 1841 mm frame: 1855 x 2355 x 190 mm | 1333 | 1841 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01590_8.jpg | http://www.tate.org.uk/art/artworks/gotch-alleluia-n01590 | |||
| 2794 | N01592 | Corbet, Matthew Ridley | artist | 114 | Morning Glory | 1893–4 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1894 | 1893 | 1894 | support: 1245 x 2032 mm | 1245 | 2032 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01592_8.jpg | http://www.tate.org.uk/art/artworks/corbet-morning-glory-n01592 | ||
| 2228 | N01593 | Clark, Joseph | artist | 95 | Mother’s Darling | 1884 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1885 | 1884 | 1885 | support: 508 x 400 mm frame: 740 x 635 x 140 mm | 508 | 400 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01593_8.jpg | http://www.tate.org.uk/art/artworks/clark-mothers-darling-n01593 | ||
| 16492 | N01594 | Wyllie, Charles William | artist | 617 | Digging for Bait | 1877 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1877 | 1877 | 1877 | support: 660 x 1270 mm | 660 | 1270 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01594_8.jpg | http://www.tate.org.uk/art/artworks/wyllie-digging-for-bait-n01594 | ||
| 13464 | N01595 | Small, William | artist | 501 | The Last Match | 1887 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1887 | 1887 | 1887 | support: 1308 x 1003 mm | 1308 | 1003 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01595_8.jpg | http://www.tate.org.uk/art/artworks/small-the-last-match-n01595 | ||
| 15988 | N01596 | Waterlow, Sir Ernest Albert | artist | 584 | Galway Gossips | exhibited 1887 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1887 | 1887 | 1887 | support: 762 x 1276 mm frame: 1122 x 1628 x 145 mm | 762 | 1276 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01596_8.jpg | http://www.tate.org.uk/art/artworks/waterlow-galway-gossips-n01596 | |||
| 9037 | N01597 | Macbeth, Robert Walker | artist | 358 | The Cast Shoe | 1890 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1890 | 1890 | 1890 | support: 832 x 1372 mm frame: 1210 x 1755 x 165 mm | 832 | 1372 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01597_8.jpg | http://www.tate.org.uk/art/artworks/macbeth-the-cast-shoe-n01597 | ||
| 6701 | N01598 | Hook, James Clarke | artist | 275 | The Stream | 1885 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1885 | 1885 | 1885 | support: 921 x 1511 mm frame: 1212 x 1755 x 100 mm | 921 | 1511 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01598_8.jpg | http://www.tate.org.uk/art/artworks/hook-the-stream-n01598 | ||
| 2453 | N01599 | Cole, George Vicat | artist | 99 | The Pool of London | 1888 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1888 | 1888 | 1888 | support: 1950 x 3055 mm | 1950 | 3055 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01599_8.jpg | http://www.tate.org.uk/art/artworks/cole-the-pool-of-london-n01599 | |||
| 12347 | N01600 | Reid, John Robertson | artist | 442 | Toil and Pleasure | 1879 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1879 | 1879 | 1879 | support: 991 x 1822 mm | 991 | 1822 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01600_8.jpg | http://www.tate.org.uk/art/artworks/reid-toil-and-pleasure-n01600 | ||
| 10957 | N01601 | Orchardson, Sir William Quiller | artist | 407 | Napoleon on Board the Bellerophon | exhibited 1880 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1880 | 1880 | 1880 | support: 1651 x 2489 mm | 1651 | 2489 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01601_8.jpg | http://www.tate.org.uk/art/artworks/orchardson-napoleon-on-board-the-bellerophon-n01601 | |||
| 5894 | N01603 | Hayes, Edwin | artist | 244 | Sunset at Sea: From Harlyn Bay, Cornwall | exhibited 1894 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1894 | 1894 | 1894 | support: 1012 x 1272 mm | 1012 | 1272 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01603_8.jpg | http://www.tate.org.uk/art/artworks/hayes-sunset-at-sea-from-harlyn-bay-cornwall-n01603 | |||
| 9658 | N01604 | Moore, Henry | artist | 383 | Catspaws off the Land | 1885 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1885 | 1885 | 1885 | frame: 1250 x 1706 x 105 mm support: 915 x 1374 mm | 1250 | 1706 | 105 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01604_8.jpg | http://www.tate.org.uk/art/artworks/moore-catspaws-off-the-land-n01604 | |
| 8402 | N01605 | La Thangue, Henry Herbert | artist | 331 | The Man with the Scythe | exhibited 1896 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1896 | 1896 | 1896 | support: 1676 x 1664 mm frame: 1990 x 1975 x 165 mm | 1676 | 1664 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01605_8.jpg | http://www.tate.org.uk/art/artworks/la-thangue-the-man-with-the-scythe-n01605 | |||
| 7170 | N01606 | Johnson, Charles Edward | artist | 298 | The Swineherd: Gurth, Son of Beowulph | 1879 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1879 | 1879 | 1879 | support: 1410 x 2121 mm | 1410 | 2121 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01606_8.jpg | http://www.tate.org.uk/art/artworks/johnson-the-swineherd-gurth-son-of-beowulph-n01606 | ||
| 10896 | N01607 | North, John William | artist | 403 | The Winter Sun | exhibited 1891 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1891 | 1891 | 1891 | support: 667 x 984 mm frame: 1040 x 1355 x 126 mm | 667 | 984 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01607_8.jpg | http://www.tate.org.uk/art/artworks/north-the-winter-sun-n01607 | |||
| 3658 | N01608 | Davis, Henry William Banks | artist | 139 | Returning to the Fold | 1880 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1880 | 1880 | 1880 | support: 692 x 1225 mm | 692 | 1225 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01608_8.jpg | http://www.tate.org.uk/art/artworks/davis-returning-to-the-fold-n01608 | ||
| 16506 | N01609 | Yeames, William Frederick | artist | 619 | Amy Robsart | exhibited 1877 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1877 | 1877 | 1877 | support: 2815 x 1885 mm | 2815 | 1885 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01609_8.jpg | http://www.tate.org.uk/art/artworks/yeames-amy-robsart-n01609 | |||
| 2229 | N01610 | Clark, Joseph | artist | 95 | Early Promise | 1877 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1877 | 1877 | 1877 | support: 780 x 634 mm | 780 | 634 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01610_8.jpg | http://www.tate.org.uk/art/artworks/clark-early-promise-n01610 | ||
| 9550 | N01611 | Millet, Francis Davis | artist | 1634 | Between Two Fires | c.1892 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1892 | 1892 | 1892 | support: 740 x 914 mm | 740 | 914 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01611_8.jpg | http://www.tate.org.uk/art/artworks/millet-between-two-fires-n01611 | |||
| 2272 | N01612 | Clausen, Sir George | artist | 96 | The Girl at the Gate | 1889 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1890 | 1889 | 1890 | support: 1714 x 1384 mm frame: 2200 x 1870 x 215 mm | 1714 | 1384 | mm | date inscribed | © Tate | http://www.tate.org.uk/art/images/work/N/N01/N01612_8.jpg | http://www.tate.org.uk/art/artworks/clausen-the-girl-at-the-gate-n01612 | |
| 14529 | N01613 | Tuke, Henry Scott | artist | 555 | August Blue | 1893–4 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1894 | 1893 | 1894 | support: 1219 x 1829 mm | 1219 | 1829 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01613_8.jpg | http://www.tate.org.uk/art/artworks/tuke-august-blue-n01613 | ||
| 10502 | N01614 | Murray, Sir David | artist | 395 | My Love has Gone a-Sailing | exhibited 1883 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1884 | 1883 | 1884 | support: 1003 x 1524 mm | 1003 | 1524 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01614_8.jpg | http://www.tate.org.uk/art/artworks/murray-my-love-has-gone-a-sailing-n01614 | |||
| 13109 | N01615 | Sargent, John Singer | artist | 475 | Carnation, Lily, Lily, Rose | 1885–6 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1887 | 1885 | 1887 | support: 1740 x 1537 mm frame: 2185 x 1970 x 130 mm | 1740 | 1537 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01615_8.jpg | http://www.tate.org.uk/art/artworks/sargent-carnation-lily-lily-rose-n01615 | |||
| 2468 | N01616 | Collier, The Hon. John | artist | 101 | The Last Voyage of Henry Hudson | exhibited 1881 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1881 | 1881 | 1881 | support: 2140 x 1835 mm | 2140 | 1835 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01616_8.jpg | http://www.tate.org.uk/art/artworks/collier-the-last-voyage-of-henry-hudson-n01616 | |||
| 1481 | N01617 | Brett, John | artist | 53 | Britannia’s Realm | 1880 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1880 | 1880 | 1880 | support: 1054 x 2121 mm frame: 1463 x 2533 x 142 mm | 1054 | 2121 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01617_8.jpg | http://www.tate.org.uk/art/artworks/brett-britannias-realm-n01617 | ||
| 14530 | N01618 | Tuke, Henry Scott | artist | 555 | All Hands to the Pumps | 1888–9 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1889 | 1888 | 1889 | support: 1854 x 1397 mm | 1854 | 1397 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01618_8.jpg | http://www.tate.org.uk/art/artworks/tuke-all-hands-to-the-pumps-n01618 | ||
| 646 | N01619 | Aumonier, James | artist | 15 | Sheep-Washing in Sussex | exhibited 1889 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1889 | 1889 | 1889 | support: 959 x 1657 mm frame: 1330 x 2025 x 155 mm | 959 | 1657 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01619_8.jpg | http://www.tate.org.uk/art/artworks/aumonier-sheep-washing-in-sussex-n01619 | |||
| 9030 | N01620 | Lucas, John Seymour | artist | 356 | After Culloden, Rebel Hunting | 1884 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1884 | 1884 | 1884 | support: 1426 x 1962 mm | 1426 | 1962 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01620_8.jpg | http://www.tate.org.uk/art/artworks/lucas-after-culloden-rebel-hunting-n01620 | ||
| 8958 | N01621 | Logsdail, William | artist | 354 | St Martin-in-the-Fields | 1888 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1888 | 1888 | 1888 | support: 1435 x 1181 mm frame: 1588 x 1388 x 106 mm, 47 kg | 1435 | 1181 | mm | date inscribed | http://www.tate.org.uk/art/artworks/logsdail-st-martin-in-the-fields-n01621 | |||
| 8164 | N01622 | Knight, Joseph | artist | 315 | A Tidal River | 1877 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1877 | 1877 | 1877 | support: 851 x 1245 mm | 851 | 1245 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01622_8.jpg | http://www.tate.org.uk/art/artworks/knight-a-tidal-river-n01622 | ||
| 13892 | N01623 | Stokes, Adrian | artist | 527 | Uplands and Sky | 1886–8 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1888 | 1886 | 1888 | support: 1492 x 2089 mm frame: 1944 x 2565 x 120 mm | 1492 | 2089 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01623_8.jpg | http://www.tate.org.uk/art/artworks/stokes-uplands-and-sky-n01623 | |||
| 13971 | N01625 | Strudwick, John Melhuish | artist | 536 | A Golden Thread | exhibited 1885 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1885 | 1885 | 1885 | support: 724 x 425 mm frame: 1205 x 900 x 110 mm | 724 | 425 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01625_8.jpg | http://www.tate.org.uk/art/artworks/strudwick-a-golden-thread-n01625 | |||
| 4234 | N01626 | Farquharson, Joseph | artist | 178 | The Joyless Winter Day | exhibited 1883 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1906 | 1883 | 1906 | support: 1041 x 1803 mm | 1041 | 1803 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01626_8.jpg | http://www.tate.org.uk/art/artworks/farquharson-the-joyless-winter-day-n01626 | |||
| 1426 | N01627 | Bramley, Frank | artist | 51 | A Hopeless Dawn | 1888 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1888 | 1888 | 1888 | support: 1226 x 1676 mm | 1226 | 1676 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01627_8.jpg | http://www.tate.org.uk/art/artworks/bramley-a-hopeless-dawn-n01627 | ||
| 11371 | N01628 | Parton, Ernest | artist | 414 | The Waning of the Year | 1879 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1879 | 1879 | 1879 | support: 1816 x 1308 mm frame: 2230 x 1720 x 185 mm | 1816 | 1308 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01628_8.jpg | http://www.tate.org.uk/art/artworks/parton-the-waning-of-the-year-n01628 | ||
| 15998 | N01630 | Watts, George Frederic | artist | 586 | Mammon | 1884–5 | Oil paint on canvas | Presented by the artist 1897 | 1884 | 1897 | support: 1829 x 1060 mm frame: 2150 x 1384 x 90 mm | 1829 | 1060 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01630_8.jpg | http://www.tate.org.uk/art/artworks/watts-mammon-n01630 | |||
| 15999 | N01631 | Watts, George Frederic | artist | 586 | The Dweller in the Innermost | c.1885–6 | Oil paint on canvas | Presented by the artist 1897 | 1885 | 1897 | support: 1060 x 698 mm frame: 1390 x 1028 x 77 mm | 1060 | 698 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01631_8.jpg | http://www.tate.org.uk/art/artworks/watts-the-dweller-in-the-innermost-n01631 | |||
| 16000 | N01632 | Watts, George Frederic | artist | 586 | ‘For he had great possessions’ | 1894 | Oil paint on canvas | Presented by the artist 1897 | 1894 | 1897 | support: 1397 x 584 mm | 1397 | 584 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01632_8.jpg | http://www.tate.org.uk/art/artworks/watts-for-he-had-great-possessions-n01632 | ||
| 16001 | N01633 | Watts, George Frederic | artist | 586 | Dray Horses | c.1863–75 | Oil paint on canvas | Presented by the artist 1897 | 1863 | 1897 | support: 3056 x 4105 mm | 3056 | 4105 | mm | http://www.tate.org.uk/art/artworks/watts-dray-horses-n01633 | ||||
| 16002 | N01634 | Watts, George Frederic | artist | 586 | The Minotaur | 1885 | Oil paint on canvas | Presented by the artist 1897 | 1885 | 1897 | support: 1181 x 945 mm frame: 1485 x 1254 x 97 mm | 1181 | 945 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01634_8.jpg | http://www.tate.org.uk/art/artworks/watts-the-minotaur-n01634 | |||
| 16003 | N01635 | Watts, George Frederic | artist | 586 | Death Crowning Innocence | 1886–7 | Oil paint on canvas | Presented by the artist 1897 | 1886 | 1897 | support: 1283 x 800 mm | 1283 | 800 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01635_8.jpg | http://www.tate.org.uk/art/artworks/watts-death-crowning-innocence-n01635 | |||
| 16004 | N01636 | Watts, George Frederic | artist | 586 | Jonah | 1894 | Oil paint on canvas | Presented by the artist 1897 | 1894 | 1897 | support: 1555 x 914 mm frame: 1875 x 1230 x 90 mm | 1555 | 914 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01636_8.jpg | http://www.tate.org.uk/art/artworks/watts-jonah-n01636 | ||
| 16005 | N01637 | Watts, George Frederic | artist | 586 | The Spirit of Christianity | 1873–5 | Oil paint on canvas | Presented by the artist 1897 | 1873 | 1897 | support: 2730 x 1524 mm | 2730 | 1524 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01637_8.jpg | http://www.tate.org.uk/art/artworks/watts-the-spirit-of-christianity-n01637 | |||
| 16006 | N01638 | Watts, George Frederic | artist | 586 | Sic Transit | 1891–2 | Oil paint on canvas | Presented by the artist 1897 | 1891 | 1897 | support: 1029 x 2045 mm | 1029 | 2045 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01638_8.jpg | http://www.tate.org.uk/art/artworks/watts-sic-transit-n01638 | |||
| 16007 | N01639 | Watts, George Frederic | artist | 586 | Faith | c.1890–6 | Oil paint on canvas | Presented by the artist 1897 | 1890 | 1897 | support: 2138 x 927 mm | 2138 | 927 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01639_8.jpg | http://www.tate.org.uk/art/artworks/watts-faith-n01639 | |||
| 16034 | N01640 | Watts, George Frederic | and assistants | 586 | Hope | 1886 | Oil paint on canvas | Presented by George Frederic Watts 1897 | 1886 | 1897 | support: 1422 x 1118 mm frame: 1740 x 1425 x 105 mm | 1422 | 1118 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01640_8.jpg | http://www.tate.org.uk/art/artworks/watts-hope-n01640 | |||
| 16008 | N01641 | Watts, George Frederic | artist | 586 | Love and Life | c.1884–5 | Oil paint on canvas | Presented by the artist 1897 | 1884 | 1897 | support: 2222 x 1219 mm | 2222 | 1219 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01641_8.jpg | http://www.tate.org.uk/art/artworks/watts-love-and-life-n01641 | |||
| 16009 | N01642 | Watts, George Frederic | artist | 586 | ‘She shall be called woman’ | c.1875–92 | Oil paint on canvas | Presented by the artist 1897 | 1875 | 1897 | support: 2578 x 1168 mm frame: 2905 x 1520 x 90 mm | 2578 | 1168 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01642_8.jpg | http://www.tate.org.uk/art/artworks/watts-she-shall-be-called-woman-n01642 | |||
| 16010 | N01643 | Watts, George Frederic | artist | 586 | Eve Tempted | exhibited 1884 | Oil paint on canvas | Presented by the artist 1897 | 1884 | 1897 | support: 2578 x 1168 mm | 2578 | 1168 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01643_8.jpg | http://www.tate.org.uk/art/artworks/watts-eve-tempted-n01643 | |||
| 16011 | N01644 | Watts, George Frederic | artist | 586 | Eve Repentant | c.1865–97 | Oil paint on canvas | Presented by the artist 1897 | 1865 | 1897 | support: 2591 x 1194 mm | 2591 | 1194 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01644_8.jpg | http://www.tate.org.uk/art/artworks/watts-eve-repentant-n01644 | |||
| 16012 | N01645 | Watts, George Frederic | artist | 586 | Love and Death | c.1885–7 | Oil paint on canvas | Presented by the artist 1897 | 1885 | 1897 | support: 2476 x 1168 mm frame: 2835 x 1505 x 110 mm | 2476 | 1168 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01645_8.jpg | http://www.tate.org.uk/art/artworks/watts-love-and-death-n01645 | |||
| 16013 | N01646 | Watts, George Frederic | artist | 586 | The Messenger | c.1884–5 | Oil paint on canvas | Presented by the artist 1897 | 1884 | 1897 | support: 2743 x 1505 mm | 2743 | 1505 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01646_8.jpg | http://www.tate.org.uk/art/artworks/watts-the-messenger-n01646 | |||
| 16035 | N01647 | Watts, George Frederic | and assistants | 586 | Chaos | c.1875–82 | Oil paint on canvas | Presented by George Frederic Watts 1897 | 1875 | 1897 | support: 1067 x 3048 mm frame: 1395 x 3375 x 90 mm | 1067 | 3048 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01647_8.jpg | http://www.tate.org.uk/art/artworks/watts-chaos-n01647 | |||
| 4232 | N01648 | Farquharson, David | artist | 177 | In a Fog | 1897 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1897 | 1897 | 1897 | support: 1230 x 1840 mm | 1230 | 1840 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01648_8.jpg | http://www.tate.org.uk/art/artworks/farquharson-in-a-fog-n01648 | ||
| 7905 | N01649 | Kemp-Welch, Lucy | artist | 1397 | Colt Hunting in the New Forest | 1897 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1897 | 1897 | 1897 | support: 1537 x 3060 mm | 1537 | 3060 | mm | date inscribed | © The estate of Lucy Kemp-Welch | http://www.tate.org.uk/art/images/work/N/N01/N01649_8.jpg | http://www.tate.org.uk/art/artworks/kemp-welch-colt-hunting-in-the-new-forest-n01649 | |
| 5943 | N01650 | Hemy, Charles Napier | artist | 248 | Pilchards | 1897 | Oil paint on paper mounted on canvas | Presented by the Trustees of the Chantrey Bequest 1897 | 1897 | 1897 | support: 1130 x 2121 mm frame: 1600 x 2565 x 195 mm | 1130 | 2121 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01650_8.jpg | http://www.tate.org.uk/art/artworks/hemy-pilchards-n01650 | ||
| 16014 | N01654 | Watts, George Frederic | artist | 586 | Russell Gurney | c.1875–8 | Oil paint on canvas | Presented by the Rev. Alfred Gurney 1898 | 1875 | 1898 | support: 635 x 508 mm | 635 | 508 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01654_8.jpg | http://www.tate.org.uk/art/artworks/watts-russell-gurney-n01654 | |||
| 8156 | N01655 | Knight, Charles Parsons | artist | 311 | The Kyles of Bute | 1893 | Oil paint on canvas | Presented by Miss A.F.C. Knight 1898 | 1893 | 1898 | support: 622 x 1105 mm | 622 | 1105 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01655_8.jpg | http://www.tate.org.uk/art/artworks/knight-the-kyles-of-bute-n01655 | ||
| 9123 | N01656 | McLachlan, Thomas Hope | artist | 364 | Evening Quiet | 1891 | Oil paint on canvas | Presented by subscribers 1898 | 1891 | 1898 | support: 584 x 870 mm | 584 | 870 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01656_8.jpg | http://www.tate.org.uk/art/artworks/mclachlan-evening-quiet-n01656 | ||
| 9514 | N01657 | Millais, Sir John Everett, Bt | artist | 379 | The Order of Release 1746 | 1852–3 | Oil paint on canvas | Presented by Sir Henry Tate 1898 | 1852 | 1898 | support: 1029 x 737 mm frame: 1505 x 1210 x 125 mm | 1029 | 737 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01657_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-order-of-release-1746-n01657 | ||
| 11483 | N01672 | Peacock, Ralph | artist | 1748 | Ethel | 1897 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1898 | 1897 | 1898 | support: 1327 x 740 mm | 1327 | 740 | mm | © The estate of Ralph Peacock | http://www.tate.org.uk/art/images/work/N/N01/N01672_8.jpg | http://www.tate.org.uk/art/artworks/peacock-ethel-n01672 | ||
| 7950 | N01673 | King, John Henry Yeend | artist | 309 | Milking Time | exhibited 1898 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1898 | 1898 | 1898 | support: 1219 x 1840 mm | 1219 | 1840 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01673_8.jpg | http://www.tate.org.uk/art/artworks/king-milking-time-n01673 | |||
| 9042 | N01677 | Maccallum, Andrew | artist | 359 | Silvery Moments, Burnham Beeches | 1885 | Oil paint on canvas | Presented by the artist 1899 | 1885 | 1899 | support: 908 x 1213 mm frame: 1253 x 1535 x 120 mm | 908 | 1213 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01677_8.jpg | http://www.tate.org.uk/art/artworks/maccallum-silvery-moments-burnham-beeches-n01677 | ||
| 4339 | N01678 | Fisher, Melton | artist | 1097 | In Realms of Fancy | exhibited 1898 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1898 | 1898 | 1898 | support: 1225 x 1219 mm | 1225 | 1219 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01678_8.jpg | http://www.tate.org.uk/art/artworks/fisher-in-realms-of-fancy-n01678 | |||
| 4002 | N01679 | Draper, Herbert | artist | 1029 | The Lament for Icarus | exhibited 1898 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1898 | 1898 | 1898 | support: 1829 x 1556 mm frame: 2400 x 2185 x 240 mm | 1829 | 1556 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01679_8.jpg | http://www.tate.org.uk/art/artworks/draper-the-lament-for-icarus-n01679 | |||
| 16040 | N01684 | Webb, James | artist | 588 | Mont St Michel, Normandy | ?exhibited 1857 or 1866 | Oil paint on canvas | Bequeathed by Rev. M. Davison 1899 | 1857 | 1899 | support: 1511 x 2429 mm | 1511 | 2429 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01684_8.jpg | http://www.tate.org.uk/art/artworks/webb-mont-st-michel-normandy-n01684 | |||
| 15906 | N01685 | Wallis, Henry | artist | 578 | Chatterton | 1856 | Oil paint on canvas | Bequeathed by Charles Gent Clement 1899 | 1856 | 1899 | support: 622 x 933 mm frame: 905 x 1205 x 132 mm | 622 | 933 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01685_8.jpg | http://www.tate.org.uk/art/artworks/wallis-chatterton-n01685 | ||
| 16015 | N01687 | Watts, George Frederic | artist | 586 | The All-Pervading | 1887–90 | Oil paint on canvas | Presented by the artist 1899 | 1887 | 1899 | support: 2135 x 1120 mm frame: 2472 x 1457 x 85 mm | 2135 | 1120 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01687_8.jpg | http://www.tate.org.uk/art/artworks/watts-the-all-pervading-n01687 | |||
| 8672 | N01688 | Lewis, John Frederick | artist | 350 | Study for ‘The Courtyard of the Coptic Patriarch’s House in Cairo’ | c.1864 | Oil paint on wood | Purchased 1900 | 1864 | 1900 | support: 368 x 356 mm frame: 650 x 630 x 110 mm | 368 | 356 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01688_8.jpg | http://www.tate.org.uk/art/artworks/lewis-study-for-the-courtyard-of-the-coptic-patriarchs-house-in-cairo-n01688 | |||
| 4083 | N01690 | Edwards, Edwin | artist | 168 | The Thames from a Wharf at Waterloo Bridge | ?1866 | Oil paint on canvas | Presented by Mrs E. Edwards 1900 | 1866 | 1900 | support: 654 x 1448 mm | 654 | 1448 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01690_8.jpg | http://www.tate.org.uk/art/artworks/edwards-the-thames-from-a-wharf-at-waterloo-bridge-n01690 | |||
| 9515 | N01691 | Millais, Sir John Everett, Bt | artist | 379 | The Boyhood of Raleigh | 1870 | Oil paint on canvas | Presented by Amy, Lady Tate in memory of Sir Henry Tate 1900 | 1870 | 1900 | support: 1206 x 1422 mm | 1206 | 1422 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01691_8.jpg | http://www.tate.org.uk/art/artworks/millais-the-boyhood-of-raleigh-n01691 | ||
| 16016 | N01692 | Watts, George Frederic | artist | 586 | Love Triumphant | 1899–1900 | Oil paint on canvas | Presented by the artist 1900 | 1899 | 1900 | support: 2965 x 1702 mm | 2965 | 1702 | mm | http://www.tate.org.uk/art/artworks/watts-love-triumphant-n01692 | ||||
| 16494 | N01697 | Wyllie, William Lionel | artist | 618 | The Battle of the Nile | 1899 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1899 | 1899 | 1899 | support: 1524 x 2743 mm frame: 1900 x 3300 x 120 mm | 1524 | 2743 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01697_8.jpg | http://www.tate.org.uk/art/artworks/wyllie-the-battle-of-the-nile-n01697 | ||
| 7000 | N01698 | Young-Hunter, John | artist | 1326 | My Lady’s Garden | 1899 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1899 | 1899 | 1899 | support: 1067 x 1822 mm | 1067 | 1822 | mm | date inscribed | © The estate of John Young-Hunter | http://www.tate.org.uk/art/images/work/N/N01/N01698_8.jpg | http://www.tate.org.uk/art/artworks/young-hunter-my-ladys-garden-n01698 | |
| 12770 | N01702 | Rossetti, Dante Gabriel | artist | 461 | Rosa Triplex | 1867 | Chalk on paper | Bequeathed by John J. Lowndes 1892 | 1867 | 1892 | support: 508 x 737 mm | 508 | 737 | mm | date inscribed | http://www.tate.org.uk/art/artworks/rossetti-rosa-triplex-n01702 | |||
| 6970 | N01703 | Hunt, Alfred William | artist | 285 | Windsor Castle | 1889 | Watercolour on paper | Presented by Sir Henry Tate 1894 | 1889 | 1894 | support: 489 x 762 mm | 489 | 762 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01703_8.jpg | http://www.tate.org.uk/art/artworks/hunt-windsor-castle-n01703 | ||
| 5676 | N01704 | Gregory, Edward John | artist | 223 | Marooning | 1887 | Watercolour on paper | Presented by Sir Henry Tate 1894 | 1887 | 1894 | support: 368 x 457 mm | 368 | 457 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01704_8.jpg | http://www.tate.org.uk/art/artworks/gregory-marooning-n01704 | ||
| 3939 | N01705 | Dixon, Harry | artist | 1013 | Lions | 1891 | Watercolour on paper | Presented by the Trustees of the Chantrey Bequest 1891 | 1891 | 1891 | support: 648 x 1181 mm | 648 | 1181 | mm | date inscribed | http://www.tate.org.uk/art/artworks/dixon-lions-n01705 | |||
| 6715 | N01706 | Hopwood, Henry Silkstone | artist | 2193 | Industry | 1894 | Watercolour on paper | Presented by the Trustees of the Chantrey Bequest 1894 | 1894 | 1894 | support: 820 x 1274 mm frame: 1102 x 1557 x 80 mm | 820 | 1274 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01706_8.jpg | http://www.tate.org.uk/art/artworks/hopwood-industry-n01706 | ||
| 2335 | N01707 | Cockram, George | artist | 923 | Solitude | exhibited 1892 | Watercolour on paper | Presented by the Trustees of the Chantrey Bequest 1892 | 1892 | 1892 | support: 660 x 1295 mm | 660 | 1295 | mm | http://www.tate.org.uk/art/artworks/cockram-solitude-n01707 | ||||
| 1869 | N01708 | Butler, Mildred Anne | artist | 72 | Morning Bath | exhibited 1896 | Watercolour on paper | Presented by the Trustees of the Chantrey Bequest 1896 | 1896 | 1896 | support: 711 x 521 mm | 711 | 521 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01708_8.jpg | http://www.tate.org.uk/art/artworks/butler-morning-bath-n01708 | |||
| 13618 | N01709 | Smythe, Lionel Percy | artist | 510 | Germinal | 1889 | Watercolour on paper | Presented by the Trustees of the Chantrey Bequest 1889 | 1889 | 1889 | support: 584 x 445 mm | 584 | 445 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01709_8.jpg | http://www.tate.org.uk/art/artworks/smythe-germinal-n01709 | ||
| 12618 | N01710 | Rivers, Leopold | artist | 452 | Stormy Weather | exhibited 1892 | Watercolour on paper | Presented by the Trustees of the Chantrey Bequest 1892 | 1892 | 1892 | support: 546 x 768 mm | 546 | 768 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01710_8.jpg | http://www.tate.org.uk/art/artworks/rivers-stormy-weather-n01710 | |||
| 10748 | N01711 | Nisbet, Robert Buchan | artist | 401 | Evening Stillness | 1890 | Watercolour on board on paper | Presented by the Trustees of the Chantrey Bequest 1890 | 1890 | 1890 | support: 495 x 762 mm | 495 | 762 | mm | date inscribed | http://www.tate.org.uk/art/artworks/nisbet-evening-stillness-n01711 | |||
| 10986 | N01712 | Osborne, Walter Frederick | artist | 408 | Life in the Streets: Hard Times | exhibited 1892 | Pastel on paper | Presented by the Trustees of the Chantrey Bequest 1892 | 1892 | 1892 | support: 552 x 368 mm | 552 | 368 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01712_8.jpg | http://www.tate.org.uk/art/artworks/osborne-life-in-the-streets-hard-times-n01712 | |||
| 15773 | N01713 | Wade, Thomas | artist | 573 | An Old Mill | 1879 | Watercolour on paper | Presented by the Trustees of the Chantrey Bequest 1879 | 1879 | 1879 | support: 533 x 552 mm | 533 | 552 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01713_8.jpg | http://www.tate.org.uk/art/artworks/wade-an-old-mill-n01713 | ||
| 9035 | N01714 | Macallum, Hamilton | artist | 357 | Gathering Seaweed | 1878 | Watercolour on paper | Presented by E. Homan 1897 | 1878 | 1897 | support: 343 x 419 mm | 343 | 419 | mm | date inscribed | http://www.tate.org.uk/art/artworks/macallum-gathering-seaweed-n01714 | |||
| 9036 | N01715 | Macallum, Hamilton | artist | 357 | A Capri Boy | 1883 | Watercolour on paper | Presented by E. Homan 1897 | 1883 | 1897 | support: 343 x 445 mm | 343 | 445 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01715_8.jpg | http://www.tate.org.uk/art/artworks/macallum-a-capri-boy-n01715 | ||
| 5377 | N01718 | Glendening, Alfred | artist | 1179 | Haymaking | 1898 | Watercolour on paper | Presented by the Trustees of the Chantrey Bequest 1898 | 1898 | 1898 | support: 597 x 914 mm | 597 | 914 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01718_8.jpg | http://www.tate.org.uk/art/artworks/glendening-haymaking-n01718 | ||
| 931 | N01722 | Bennett, William | artist | 33 | In Richmond Park | 1852 | Watercolour on paper | Presented by E. Homan 1899 | 1852 | 1899 | support: 368 x 546 mm | 368 | 546 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01722_8.jpg | http://www.tate.org.uk/art/artworks/bennett-in-richmond-park-n01722 | ||
| 3977 | N01723 | Donaldson, Andrew Brown | artist | 154 | Puente San Martin, Toledo | 1889 | Watercolour on paper | Presented by Miss Louisa Twining 1899 | 1889 | 1899 | support: 641 x 311 mm | 641 | 311 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01723_8.jpg | http://www.tate.org.uk/art/artworks/donaldson-puente-san-martin-toledo-n01723 | ||
| 5726 | N01725 | Gulich, John | artist | 1229 | A Violin Concerto | 1898 | Watercolour on paper | Presented by Sir Henry Tate 1899 | 1898 | 1899 | support: 889 x 711 mm | 889 | 711 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01725_8.jpg | http://www.tate.org.uk/art/artworks/gulich-a-violin-concerto-n01725 | ||
| 9402 | N01726 | Maundrell, Charles | artist | 1596 | Le Château d’O | exhibited 1899 | Watercolour and chalk on paper | Presented by the Trustees of the Chantrey Bequest 1899 | 1899 | 1899 | support: 556 x 381 mm | 556 | 381 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01726_8.jpg | http://www.tate.org.uk/art/artworks/maundrell-le-chateau-do-n01726 | |||
| 10474 | N01743 | Mulready, William | artist | 392 | Academy Study | 1857 | Ink on paper on board | Presented by Society of Arts 1858 | 1857 | 1858 | support: 495 x 216 mm | 495 | 216 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01743_8.jpg | http://www.tate.org.uk/art/artworks/mulready-academy-study-n01743 | ||
| 1535 | N01747 | Brock, Sir Thomas | artist | 62 | A Moment of Peril | 1880 | Bronze | Presented by the Trustees of the Chantrey Bequest 1881 | 1880 | 1881 | object: 1905 x 2464 x 1270 mm | 1905 | 2464 | 1270 | mm | date inscribed | http://www.tate.org.uk/art/artworks/brock-a-moment-of-peril-n01747 | ||
| 9305 | N01748 | Marshall, William Calder | artist | 370 | The Prodigal Son | 1881 | Stone | Presented by the Trustees of the Chantrey Bequest 1881 | 1881 | 1881 | object: 1245 x 660 x 711 mm | 1245 | 660 | 711 | mm | date inscribed | http://www.tate.org.uk/art/artworks/marshall-the-prodigal-son-n01748 | ||
| 4254 | N01749 | Fehr, Henry C | artist | 1085 | The Rescue of Andromeda | 1893 | Bronze | Presented by the Trustees of the Chantrey Bequest 1894 | 1893 | 1894 | object: 2743 x 2591 x 2184 mm | 2743 | 2591 | 2184 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01749_8.jpg | http://www.tate.org.uk/art/artworks/fehr-the-rescue-of-andromeda-n01749 | |
| 761 | N01750 | Bates, Harry | artist | 26 | Pandora | exhibited 1891 | Marble, ivory and bronze on marble base | Presented by the Trustees of the Chantrey Bequest 1891 | 1891 | 1891 | object: 1060 x 540 x 785mm | 1060 | 540 | 785 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01750_8.jpg | http://www.tate.org.uk/art/artworks/bates-pandora-n01750 | ||
| 14172 | N01751 | Thornycroft, Sir Hamo | artist | 551 | Teucer | 1881 | Bronze | Presented by the Trustees of the Chantrey Bequest 1882 | 1881 | 1882 | object: 2407 x 1511 x 660 mm, 230 kg | 2407 | 1511 | 660 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01751_8.jpg | http://www.tate.org.uk/art/artworks/thornycroft-teucer-n01751 | |
| 8578 | N01752 | Leighton, Lord Frederic | artist | 342 | The Sluggard | 1885 | Bronze | Presented by Sir Henry Tate 1894 | 1885 | 1894 | object: 1911 x 902 x 597 mm | 1911 | 902 | 597 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01752_8.jpg | http://www.tate.org.uk/art/artworks/leighton-the-sluggard-n01752 | |
| 4504 | N01753 | Ford, Edward Onslow | artist | 191 | The Singer | exhibited 1889 | Bronze, coloured resin paste and semi-precious stones | Presented by Sir Henry Tate 1894 | 1889 | 1894 | object: 902 x 216 x 432 mm | 902 | 216 | 432 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01753_8.jpg | http://www.tate.org.uk/art/artworks/ford-the-singer-n01753 | ||
| 8579 | N01754 | Leighton, Lord Frederic | artist | 342 | An Athlete Wrestling with a Python | 1877 | Bronze | Presented by the Trustees of the Chantrey Bequest 1877 | 1877 | 1877 | object: 1746 x 984 x 1099 mm, 290 kg | 1746 | 984 | 1099 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01754_8.jpg | http://www.tate.org.uk/art/artworks/leighton-an-athlete-wrestling-with-a-python-n01754 | |
| 7157 | N01755 | John, Sir William Goscombe | artist | 1364 | A Boy at Play | c.1895 | Bronze on stone base | Presented by the Trustees of the Chantrey Bequest 1896 | 1895 | 1896 | object: 1415 x 850 x1110 mm | 1415 | 850 | 1110 | mm | http://www.tate.org.uk/art/artworks/john-a-boy-at-play-n01755 | |||
| 11495 | N01756 | Pegram, Henry Alfred | artist | 1751 | Ignis Fatuus | 1889 | Bronze | Presented by the Trustees of the Chantrey Bequest 1889 | 1889 | 1889 | displayed: 720 x 720 x 140 mm | 720 | 720 | 140 | mm | date inscribed | http://www.tate.org.uk/art/artworks/pegram-ignis-fatuus-n01756 | ||
| 4062 | N01757 | Drury, Alfred | artist | 163 | Griselda | 1896 | Bronze | Presented by the Trustees of the Chantrey Bequest 1896 | 1896 | 1896 | object: 533 x 483 x 254 mm. Weight 34kg (approx) | date inscribed | http://www.tate.org.uk/art/artworks/drury-griselda-n01757 | ||||||
| 4505 | N01758 | Ford, Edward Onslow | artist | 191 | Folly | exhibited 1886 | Bronze | Presented by the Trustees of the Chantrey Bequest 1886 | 1886 | 1886 | object: 887 x 415 x 330 mm | 887 | 415 | 330 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01758_8.jpg | http://www.tate.org.uk/art/artworks/ford-folly-n01758 | ||
| 12152 | N01759 | Pomeroy, Frederick William | artist | 429 | The Nymph of Loch Awe | 1897 | Marble on onyx base | Presented by the Trustees of the Chantrey Bequest 1897 | 1897 | 1897 | object: 267 x 641 x 229 mm weight 55.6kg | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01759_8.jpg | http://www.tate.org.uk/art/artworks/pomeroy-the-nymph-of-loch-awe-n01759 | |||||
| 13765 | N01760 | Stark, Robert | artist | 522 | Indian Rinoceros | 1887 | Bronze | Presented by the Trustees of the Chantrey Bequest 1892 | 1887 | 1892 | object: 432 x 781 x 276 mm | 432 | 781 | 276 | mm | date inscribed | http://www.tate.org.uk/art/artworks/stark-indian-rinoceros-n01760 | ||
| 8580 | N01761 | Leighton, Lord Frederic | artist | 342 | Sketch for ‘An Athlete Wrestling with a Python’ | c.1877 | Plaster | Presented by Prof. Alphonse Legros 1897 | 1877 | 1897 | object: 251 x 156 x 130 mm | 251 | 156 | 130 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01761_8.jpg | http://www.tate.org.uk/art/artworks/leighton-sketch-for-an-athlete-wrestling-with-a-python-n01761 | ||
| 12153 | N01762 | Pomeroy, Frederick William | artist | 429 | Dionysus | ?1890–1 | Bronze | Presented by Henry J. Pfungst 1898 | 1890 | 1898 | object: 825 x 318 x 381 mm | 825 | 318 | 381 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01762_8.jpg | http://www.tate.org.uk/art/artworks/pomeroy-dionysus-n01762 | ||
| 1536 | N01765 | Brock, Sir Thomas | artist | 62 | Sir Henry Tate | exhibited 1898 | Bronze on stone base | Presented by subscribers 1898 | 1898 | 1898 | object: 533 x 584 x 356 mm, 43.5 kg | 533 | 584 | 356 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01765_8.jpg | http://www.tate.org.uk/art/artworks/brock-sir-henry-tate-n01765 | ||
| 2540 | N01766 | Colton, William Robert | artist | 933 | The Girdle | 1898 | Bronze | Presented by the Trustees of the Chantrey Bequest 1899 | 1898 | 1899 | object: 1289 x 940 x 737 mm, 275 kg | 1289 | 940 | 737 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01766_8.jpg | http://www.tate.org.uk/art/artworks/colton-the-girdle-n01766 | |
| 762 | N01767 | Bates, Harry | artist | 26 | Hounds in Leash | 1888–9 | Plaster | Presented by Lord Wemyss 1899 | 1888 | 1899 | object: 1160 x 2200 x 1080 mm | 1160 | 2200 | 1080 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01767_8.jpg | http://www.tate.org.uk/art/artworks/bates-hounds-in-leash-n01767 | ||
| 16018 | N01768 | Watts, George Frederic | artist | 586 | Clytie | c.1868–78 | Bronze | Presented by the artist 1900 | 1868 | 1900 | object: 860 x 660 x 430 mm, 71 kg | 860 | 660 | 430 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01768_8.jpg | http://www.tate.org.uk/art/artworks/watts-clytie-n01768 | ||
| 1765 | N01771 | Burne-Jones, Sir Edward Coley, Bt | artist | 68 | King Cophetua and the Beggar Maid | 1884 | Oil paint on canvas | Presented by subscribers 1900 | 1884 | 1900 | support: 2934 x 1359 mm frame: 3885 x 2200 x 220 | 2934 | 1359 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01771_8.jpg | http://www.tate.org.uk/art/artworks/burne-jones-king-cophetua-and-the-beggar-maid-n01771 | ||
| 13638 | N01773 | Somerscales, Thomas J. | artist | 514 | Off Valparaiso | 1899 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1899 | 1899 | 1899 | support: 965 x 1803 mm | 965 | 1803 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01773_8.jpg | http://www.tate.org.uk/art/artworks/somerscales-off-valparaiso-n01773 | ||
| 3659 | N01774 | Davis, Henry William Banks | artist | 139 | Approaching Night | 1899 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1899 | 1899 | 1899 | support: 559 x 914 mm frame: 902 x 1255 x 170 mm | 559 | 914 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01774_8.jpg | http://www.tate.org.uk/art/artworks/davis-approaching-night-n01774 | ||
| 13841 | N01775 | Stevens, Alfred | artist | 525 | Mary Ann, Wife of Leonard Collman | c.1854 | Oil paint on canvas | Purchased 1900 | 1854 | 1900 | support: 705 x 552 mm | 705 | 552 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01775_8.jpg | http://www.tate.org.uk/art/artworks/stevens-mary-ann-wife-of-leonard-collman-n01775 | |||
| 2773 | N01780 | Cooke, Edward William | artist | 110 | Canal of the Giudecca, Venice | 1867 | Oil paint on canvas | Bequeathed by H.S. Ashbee 1900 | 1867 | 1900 | support: 902 x 1397 mm frame: 1280 x 1730 x 89 mm | 902 | 1397 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01780_8.jpg | http://www.tate.org.uk/art/artworks/cooke-canal-of-the-giudecca-venice-n01780 | ||
| 4673 | N01781 | Frith, William Powell | artist | 194 | Uncle Toby and the Widow Wadman | 1865 | Oil paint on canvas | Bequeathed by H.S. Ashbee 1900 | 1865 | 1900 | support: 756 x 521 mm | 756 | 521 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01781_8.jpg | http://www.tate.org.uk/art/artworks/frith-uncle-toby-and-the-widow-wadman-n01781 | ||
| 763 | N01783 | Bates, Harry | artist | 26 | Sketch for War | 1887 | Plaster | Presented by C.J. Knowles 1900 | 1887 | 1900 | object: 546 x 267 x 89 mm | 546 | 267 | 89 | mm | date inscribed | http://www.tate.org.uk/art/artworks/bates-sketch-for-war-n01783 | ||
| 8616 | N01793 | Leslie, Charles Robert | artist | 346 | Sketch for ‘Christ Rebuking His Disciples by Calling the Little Child’ | c.1858 | Oil paint on canvas | Bequeathed by Henry Vaughan 1900 | 1858 | 1900 | support: 215 x 283 mm | 215 | 283 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01793_8.jpg | http://www.tate.org.uk/art/artworks/leslie-sketch-for-christ-rebuking-his-disciples-by-calling-the-little-child-n01793 | |||
| 8618 | N01798 | Leslie, Charles Robert | artist | 346 | ‘Slender Courting Anne Page’ | c.1850 | Oil paint on canvas | Bequeathed by Henry Vaughan 1900 | 1850 | 1900 | support: 381 x 483 mm | 381 | 483 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01798_8.jpg | http://www.tate.org.uk/art/artworks/leslie-slender-courting-anne-page-n01798 | |||
| 2784 | N01800 | Cooper, Thomas Sidney | artist | 112 | Landscape and Cattle | 1854 | Oil paint on wood | Bequeathed by Henry Vaughan 1900 | 1854 | 1900 | support: 292 x 406 mm | 292 | 406 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01800_8.jpg | http://www.tate.org.uk/art/artworks/cooper-landscape-and-cattle-n01800 | ||
| 8620 | N01801 | Leslie, Charles Robert | artist | 346 | Viola and Olivia | 1859 | Oil paint on paper | Bequeathed by Henry Vaughan 1900 | 1859 | 1900 | support: 229 x 305 mm | 229 | 305 | mm | http://www.tate.org.uk/art/artworks/leslie-viola-and-olivia-n01801 | ||||
| 8621 | N01804 | Leslie, Charles Robert | artist | 346 | Sketch for ‘The Rape of the Lock’ | c.1854 | Oil paint on wood | Bequeathed by Henry Vaughan 1900 | 1854 | 1900 | support: 248 x 330 mm | 248 | 330 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01804_8.jpg | http://www.tate.org.uk/art/artworks/leslie-sketch-for-the-rape-of-the-lock-n01804 | |||
| 8581 | N01806 | Leighton, Lord Frederic | artist | 342 | Study for ‘The Discovery of Juliet Apparently Lifeless’ | c.1858 | Oil paint on wood | Bequeathed by Henry Vaughan 1900 | 1858 | 1900 | support: 210 x 311 mm | 210 | 311 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01806_8.jpg | http://www.tate.org.uk/art/artworks/leighton-study-for-the-discovery-of-juliet-apparently-lifeless-n01806 | |||
| 13842 | N01846 | Stevens, Alfred | artist | 525 | Isaiah | 1862 | Oil paint on paper | Presented by C.J. Knowles 1897 | 1862 | 1897 | support: 4572 x 7925 mm | 4572 | 7925 | mm | http://www.tate.org.uk/art/artworks/stevens-isaiah-n01846 | ||||
| 16036 | N01894 | Watts, George Frederic | and assistants | 586 | The Court of Death | c.1870–1902 | Oil paint on canvas | Presented by George Frederic Watts 1902 | 1870 | 1902 | support: 4242 x 2743 mm frame: 4525 x 2985 x 70 mm | 4242 | 2743 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01894_8.jpg | http://www.tate.org.uk/art/artworks/watts-the-court-of-death-n01894 | |||
| 1482 | N01902 | Brett, John | artist | 53 | The British Channel Seen from the Dorsetshire Cliffs | 1871 | Oil paint on canvas | Presented by Mrs Brett 1902 | 1871 | 1902 | support: 1060 x 2127 mm frame: 1390 x 2458 x 121 mm | 1060 | 2127 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01902_8.jpg | http://www.tate.org.uk/art/artworks/brett-the-british-channel-seen-from-the-dorsetshire-cliffs-n01902 | ||
| 11533 | N01908 | Phillip, John | artist | 422 | The Prison Window | 1857 | Oil paint on canvas | Bequeathed by Charles Gassiot 1902 | 1857 | 1902 | support: 1041 x 698 mm frame: 1345 x 1010 x 100 mm | 1041 | 698 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01908_8.jpg | http://www.tate.org.uk/art/artworks/phillip-the-prison-window-n01908 | ||
| 15682 | N01911 | Vacher, Charles | artist | 561 | Rezzonico and the Splügen Range, Lake Como | 1867 | Watercolour on paper | Bequeathed by George Vacher 1902 | 1867 | 1902 | support: 813 x 1410 mm | 813 | 1410 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01911_8.jpg | http://www.tate.org.uk/art/artworks/vacher-rezzonico-and-the-splugen-range-lake-como-n01911 | ||
| 16072 | N01919 | Wells, Henry Tanworth | artist | 592 | Victoria Regina | 1880 | Oil paint on canvas | Presented by the artist's daughter 1903 | 1880 | 1903 | support: 2451 x 1918 mm | 2451 | 1918 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01919_8.jpg | http://www.tate.org.uk/art/artworks/wells-victoria-regina-n01919 | ||
| 1943 | N01921 | Calthrop, Claude | artist | 80 | Meeting of Scottish Jacobites | exhibited 1878 | Oil paint on canvas | Presented by Mrs C. Calthrop 1903 | 1878 | 1903 | support: 889 x 1270 mm | 889 | 1270 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01921_8.jpg | http://www.tate.org.uk/art/artworks/calthrop-meeting-of-scottish-jacobites-n01921 | |||
| 5189 | N01931 | Gilbert, Sir John | artist | 209 | Old Gravel Pit in Greenwich Park | 1893 | Watercolour on paper | Bequeathed by George Gilbert 1904 | 1893 | 1904 | support: 394 x 622 mm | 394 | 622 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01931_8.jpg | http://www.tate.org.uk/art/artworks/gilbert-old-gravel-pit-in-greenwich-park-n01931 | ||
| 5190 | N01932 | Gilbert, Sir John | artist | 209 | Bringing up the Guns | 1889 | Gouache and watercolour on board | Bequeathed by George Gilbert 1904 | 1889 | 1904 | support: 343 x 451 mm | 343 | 451 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01932_8.jpg | http://www.tate.org.uk/art/artworks/gilbert-bringing-up-the-guns-n01932 | ||
| 5191 | N01933 | Gilbert, Sir John | artist | 209 | Cardinal Wolsey and the Duke of Buckingham | 1861 | Ink, watercolour and gouache on paper | Bequeathed by George Gilbert 1904 | 1861 | 1904 | support: 159 x 254 mm | 159 | 254 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01933_8.jpg | http://www.tate.org.uk/art/artworks/gilbert-cardinal-wolsey-and-the-duke-of-buckingham-n01933 | ||
| 5192 | N01934 | Gilbert, Sir John | artist | 209 | The Happiest Land | 1862 | Watercolour on paper | Bequeathed by George Gilbert 1904 | 1862 | 1904 | support: 213 x 190 mm | 213 | 190 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01934_8.jpg | http://www.tate.org.uk/art/artworks/gilbert-the-happiest-land-n01934 | ||
| 1365 | N01936 | Bough, Samuel | artist | 43 | Holmwood, Dorking | 1856 | Oil paint on canvas | Presented by the Earl of Carlisle 1904 | 1856 | 1904 | support: 309 x 469 mm | 309 | 469 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01936_8.jpg | http://www.tate.org.uk/art/artworks/bough-holmwood-dorking-n01936 | ||
| 8625 | N01940 | Leslie, George Dunlop | artist | 347 | Kept in School | 1876 | Oil paint on canvas | Presented by Sir William Agnew Bt 1904 | 1876 | 1904 | support: 952 x 635 mm frame: 1282 x 965 x 120 mm | 952 | 635 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01940_8.jpg | http://www.tate.org.uk/art/artworks/leslie-kept-in-school-n01940 | ||
| 9518 | N01941 | Millais, Sir John Everett, Bt | artist | 379 | Sir Henry Thompson, Bt | 1881 | Oil paint on canvas | Bequeathed by Sir Henry Thompson Bt 1904 | 1881 | 1904 | support: 1257 x 914 mm | 1257 | 914 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01941_8.jpg | http://www.tate.org.uk/art/artworks/millais-sir-henry-thompson-bt-n01941 | ||
| 12221 | N01948 | Poynter, Sir Edward | artist | 433 | Outward Bound | 1886 | Oil paint on canvas | Bequeathed by Henry Evans 1904 | 1886 | 1904 | support: 495 x 495 mm | 495 | 495 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01948_8.jpg | http://www.tate.org.uk/art/artworks/poynter-outward-bound-n01948 | ||
| 5169 | N01949 | Gilbert, Sir Alfred | artist | 208 | George Frederic Watts, O.M., R.A. | 1888–9 | Bronze | Presented by Mrs Watts by the wish of the late George Frederic Watts 1904 | 1888 | 1904 | object: 584 x 584 x 368 mm | 584 | 584 | 368 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01949_8.jpg | http://www.tate.org.uk/art/artworks/gilbert-george-frederic-watts-om-ra-n01949 | ||
| 4223 | N01952 | Fantin-Latour, Henri | artist | 1079 | Mr and Mrs Edwin Edwards | 1875 | Oil paint on canvas | Presented by Mrs E. Edwards 1904 | 1875 | 1904 | support: 1308 x 981 mm frame: 1640 x 1313 x 145 mm | 1308 | 981 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01952_8.jpg | http://www.tate.org.uk/art/artworks/fantin-latour-mr-and-mrs-edwin-edwards-n01952 | ||
| 4516 | N01954 | Frampton, Sir George | artist | 1111 | Charles Keene | 1896 | Bronze | Presented by the artist 1905 | 1896 | 1905 | object: 902 x 597 x 76 mm | 902 | 597 | 76 | mm | date inscribed | http://www.tate.org.uk/art/artworks/frampton-charles-keene-n01954 | ||
| 2006 | N01955 | Carter, Hugh | artist | 85 | The Last Ray | c.1878 | Oil paint on canvas | Presented by Mrs Carter 1905 | 1878 | 1905 | support: 622 x 737 mm frame: 890 x 1015 x 100 mm | 622 | 737 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01955_8.jpg | http://www.tate.org.uk/art/artworks/carter-the-last-ray-n01955 | |||
| 1575 | N01956 | Brough, Robert | artist | 819 | Fantaisie en Folie | 1897 | Oil paint on canvas | Bequeathed by the artist 1905 | 1897 | 1905 | support: 1022 x 1257 mm frame: 1330 x 1585 x 125 mm | 1022 | 1257 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01956_8.jpg | http://www.tate.org.uk/art/artworks/brough-fantaisie-en-folie-n01956 | |||
| 13845 | N01957 | Stevens, Alfred | artist | 525 | The Angel Announcing the Birth of Our Lord to the Shepherds | c.1860 | Oil paint on board | Purchased 1905 | 1860 | 1905 | support: 397 x 1019 mm | 397 | 1019 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01957_8.jpg | http://www.tate.org.uk/art/artworks/stevens-the-angel-announcing-the-birth-of-our-lord-to-the-shepherds-n01957 | |||
| 16120 | N01959 | Whistler, James Abbott McNeill | artist | 598 | Nocturne: Blue and Gold - Old Battersea Bridge | c.1872–5 | Oil paint on canvas | Presented by the Art Fund 1905 | 1872 | 1905 | support: 683 x 512 mm frame: 922 x 760 x 83 mm | 683 | 512 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01959_8.jpg | http://www.tate.org.uk/art/artworks/whistler-nocturne-blue-and-gold-old-battersea-bridge-n01959 | |||
| 13664 | N01964 | Speed, Harold | artist | 1974 | The Alcantara, Toledo, by Moonlight | 1894 | Oil paint on canvas | Presented by the Trustees of the Chantrey Bequest 1905 | 1894 | 1905 | support: 635 x 914 mm frame: 930 x 1220 x 140 mm | 635 | 914 | mm | date inscribed | © The estate of Harold Speed | http://www.tate.org.uk/art/images/work/N/N01/N01964_8.jpg | http://www.tate.org.uk/art/artworks/speed-the-alcantara-toledo-by-moonlight-n01964 | |
| 7002 | N01967 | Hurlstone, Frederick Yeates | artist | 289 | A Scene from ‘Gil Blas’ | exhibited 1868 | Oil paint on canvas | Purchased 1905 | 1868 | 1905 | support: 1118 x 1410 mm | 1118 | 1410 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01967_8.jpg | http://www.tate.org.uk/art/artworks/hurlstone-a-scene-from-gil-blas-n01967 | |||
| 2775 | N01968 | Cooke, Edward William | artist | 110 | Boat, near Venice | 1858 | Oil paint on canvas | Bequeathed by C. Fraser 1905 | 1858 | 1905 | support: 279 x 400 mm frame: 542 x 657 x 105 mm | 279 | 400 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01968_8.jpg | http://www.tate.org.uk/art/artworks/cooke-boat-near-venice-n01968 | ||
| 1625 | N01969 | Browne, Henriette | artist | 824 | A Greek Captive | 1863 | Oil paint on canvas | Bequeathed by C. Fraser 1868 | 1863 | 1868 | support: 921 x 730 mm | 921 | 730 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01969_8.jpg | http://www.tate.org.uk/art/artworks/browne-a-greek-captive-n01969 | ||
| 2785 | N01976 | Cooper, Thomas Sidney | artist | 112 | A Cow and Two Sheep | 1860 | Watercolour on paper | Bequeathed by C. Fraser 1905 | 1860 | 1905 | support: 216 x 298 mm | 216 | 298 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N01/N01976_8.jpg | http://www.tate.org.uk/art/artworks/cooper-a-cow-and-two-sheep-n01976 | ||
| 4508 | N01977 | Foster, Myles Birket | artist | 192 | Lane Scene at Hambledon | ?exhibited 1862 | Watercolour on paper | Bequeathed by C. Fraser 1905 | 1862 | 1905 | support: 425 x 635 mm | 425 | 635 | mm | http://www.tate.org.uk/art/images/work/N/N01/N01977_8.jpg | http://www.tate.org.uk/art/artworks/foster-lane-scene-at-hambledon-n01977 | |||
| 13846 | N02003 | Stevens, Alfred | artist | 525 | Study for Amoret Bound in the House of Busirane | ?c.1855 | Graphite on paper | Purchased 1905 | 1855 | 1905 | support: 305 x 248 mm | 305 | 248 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02003_8.jpg | http://www.tate.org.uk/art/artworks/stevens-study-for-amoret-bound-in-the-house-of-busirane-n02003 | |||
| 13848 | N02039 | Stevens, Alfred | artist | 525 | Study of the End of a Room Including a Bust of Raphael and his Fresco ‘Jurisprudence’ | ?c.1859 | Graphite and watercolour on paper | Purchased 1905 | 1859 | 1905 | support: 302 x 391 mm | 302 | 391 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02039_8.jpg | http://www.tate.org.uk/art/artworks/stevens-study-of-the-end-of-a-room-including-a-bust-of-raphael-and-his-fresco-n02039 | |||
| 13849 | N02040 | Stevens, Alfred | artist | 525 | Design for Two-Handled Majolica Vase | 1861 | Graphite and watercolour on paper | Purchased 1905 | 1861 | 1905 | support: 327 x 178 mm | 327 | 178 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02040_8.jpg | http://www.tate.org.uk/art/artworks/stevens-design-for-two-handled-majolica-vase-n02040 | |||
| 13852 | N02051 | Stevens, Alfred | artist | 525 | Design for ‘The Angel Announcing the Birth of Our Lord to the Shepherds’ (N01957) | c.1860 | Graphite and ink on paper | Purchased 1905 | 1860 | 1905 | support: 156 x 527 mm | 156 | 527 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02051_8.jpg | http://www.tate.org.uk/art/artworks/stevens-design-for-the-angel-announcing-the-birth-of-our-lord-to-the-shepherds-n01957-n02051 | |||
| 13110 | N02053 | Sargent, John Singer | artist | 475 | Ellen Terry as Lady Macbeth | 1889 | Oil paint on canvas | Presented by Sir Joseph Duveen 1906 | 1889 | 1906 | support: 2210 x 1143 mm frame: 2500 x 1434 x 105 mm | 2210 | 1143 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02053_8.jpg | http://www.tate.org.uk/art/artworks/sargent-ellen-terry-as-lady-macbeth-n02053 | |||
| 583 | N02054 | Armstead, Henry Hugh | artist | 12 | Hero and Leander | c.1875 | Marble | Bequeathed by the artist 1906 | 1875 | 1906 | object: 1257 x 1829 mm | 1257 | 1829 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02054_8.jpg | http://www.tate.org.uk/art/artworks/armstead-hero-and-leander-n02054 | |||
| 8863 | N02060 | Linnell, John | artist | 351 | Harvest Home, Sunset: The Last Load | 1853 | Oil paint on canvas | Presented by J.W. Carlile 1906 | 1853 | 1906 | support: 883 x 1473 mm frame: 1305 x 1872 x 165 mm | 883 | 1473 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02060_8.jpg | http://www.tate.org.uk/art/artworks/linnell-harvest-home-sunset-the-last-load-n02060 | ||
| 14157 | N02061 | Thomas, John | artist | 547 | W.P. Frith | 1859 | Marble | Presented by L. Loewenthal 1906 | 1859 | 1906 | object: 800 x 495 x 305 mm | 800 | 495 | 305 | mm | date inscribed | http://www.tate.org.uk/art/artworks/thomas-wp-frith-n02061 | ||
| 1582 | N02063 | Brown, Ford Madox | artist | 65 | Chaucer at the Court of Edward III | 1856–68 | Oil paint on canvas | Purchased 1906 | 1856 | 1906 | support: 1232 x 991 mm frame: 1490 x 1263 x 115 mm | 1232 | 991 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02063_8.jpg | http://www.tate.org.uk/art/artworks/brown-chaucer-at-the-court-of-edward-iii-n02063 | ||
| 16052 | N02075 | Weekes, Henry | artist | 591 | Thomas Stothard | 1868 | Marble | Presented by subscribers 1868 | 1868 | 1868 | object: 768 x 610 x 368 mm | 768 | 610 | 368 | mm | date inscribed | http://www.tate.org.uk/art/artworks/weekes-thomas-stothard-n02075 | ||
| 16053 | N02076 | Weekes, Henry | artist | 591 | William Mulready | 1866 | Marble | Presented by subscribers 1868 | 1866 | 1868 | object: 876 x 679 x 406 mm | 876 | 679 | 406 | mm | date inscribed | http://www.tate.org.uk/art/artworks/weekes-william-mulready-n02076 | ||
| 13950 | N02079 | Strang, William | artist | 534 | Sir Henry Newbolt | 1897 | Graphite on paper | Presented by James MacLehose through the Art Fund 1906 | 1897 | 1906 | support: 305 x 190 mm | 305 | 190 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02079_8.jpg | http://www.tate.org.uk/art/artworks/strang-sir-henry-newbolt-n02079 | |||
| 15805 | N02080 | Walker, Frederick | artist | 575 | The Woman in White | 1871 | Gouache on paper | Presented by Sir Claude Phillips in memory of his sister Eugenie Phillips 1906 | 1871 | 1906 | support: 2172 x 1289 mm | 2172 | 1289 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02080_8.jpg | http://www.tate.org.uk/art/artworks/walker-the-woman-in-white-n02080 | |||
| 12172 | N02108 | Potter, Frank Huddlestone | artist | 431 | A Music Lesson | 1887 | Oil paint on wood | Purchased 1907 | 1887 | 1907 | support: 508 x 724 mm | 508 | 724 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02108_8.jpg | http://www.tate.org.uk/art/artworks/potter-a-music-lesson-n02108 | ||
| 1400 | N02109 | Brabazon, Hercules Brabazon | artist | 50 | Houses at Tivoli | c.1860 | Watercolour, gouache and graphite on paper | Presented by Mrs Harvey Combe 1907 | 1860 | 1907 | support: 254 x 368 mm | 254 | 368 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02109_8.jpg | http://www.tate.org.uk/art/artworks/brabazon-houses-at-tivoli-n02109 | |||
| 1401 | N02110 | Brabazon, Hercules Brabazon | artist | 50 | Roses | c.1887 | Gouache on paper | Presented by Mrs Harvey Combe 1907 | 1887 | 1907 | support: 343 x 241 mm | 343 | 241 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02110_8.jpg | http://www.tate.org.uk/art/artworks/brabazon-roses-n02110 | |||
| 1403 | N02112 | Brabazon, Hercules Brabazon | artist | 50 | Tivoli | c.1868 | Watercolour and gouache on paper | Presented by Mrs Harvey Combe 1907 | 1868 | 1907 | support: 140 x 305 mm | 140 | 305 | mm | http://www.tate.org.uk/art/artworks/brabazon-tivoli-n02112 | ||||
| 1404 | N02113 | Brabazon, Hercules Brabazon | artist | 50 | The Pink Palace | exhibited 1892 | Gouache on paper | Presented by the Ethel Parker Memorial Fund 1907 | 1892 | 1907 | support: 241 x 349 mm frame: 456 x 571 x 21 mm | 241 | 349 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02113_8.jpg | http://www.tate.org.uk/art/artworks/brabazon-the-pink-palace-n02113 | |||
| 1405 | N02114 | Brabazon, Hercules Brabazon | artist | 50 | The Grand Canal, Venice | c.1890 | Gouache on paper | Presented by the Ethel Parker Memorial Fund 1907 | 1890 | 1907 | support: 146 x 260 mm | 146 | 260 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02114_8.jpg | http://www.tate.org.uk/art/artworks/brabazon-the-grand-canal-venice-n02114 | |||
| 8556 | N02117 | Legros, Alphonse | artist | 341 | John Gray | 1883 | Oil paint on canvas | Presented by Judge Evans 1907 | 1883 | 1907 | support: 641 x 457 mm frame: 760 x 586 x 53 mm | 641 | 457 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02117_8.jpg | http://www.tate.org.uk/art/artworks/legros-john-gray-n02117 | ||
| 2170 | N02119 | Charles, James | artist | 91 | Will It Rain? | 1887 | Oil paint on canvas | Presented by John Maddocks 1907 | 1887 | 1907 | support: 457 x 356 mm | 457 | 356 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02119_8.jpg | http://www.tate.org.uk/art/artworks/charles-will-it-rain-n02119 | ||
| 6982 | N02120 | Hunt, William Holman | artist | 287 | The Ship | 1875 | Oil paint on canvas | Presented by subscribers 1907 | 1875 | 1907 | support: 762 x 978 mm frame: 1098 x 1305 x 132 mm | 762 | 978 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02120_8.jpg | http://www.tate.org.uk/art/artworks/hunt-the-ship-n02120 | ||
| 2171 | N02122 | Charles, James | artist | 91 | Studies of Sheep | 1863 | Graphite on paper | Presented by Prof. F. Brown 1907 | 1863 | 1907 | support: 241 x 298 mm | 241 | 298 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02122_8.jpg | http://www.tate.org.uk/art/artworks/charles-studies-of-sheep-n02122 | ||
| 2172 | N02123 | Charles, James | artist | 91 | In the Hayfield: Two Studies | 1876 | Graphite on paper | Presented by Prof. F. Brown 1907 | 1876 | 1907 | support: 241 x 305 mm | 241 | 305 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02123_8.jpg | http://www.tate.org.uk/art/artworks/charles-in-the-hayfield-two-studies-n02123 | ||
| 4224 | N02133 | Fantin-Latour, Henri | artist | 1079 | Roses | 1864 | Oil paint on canvas | Bequeathed by Mrs Edwin Edwards 1907 | 1864 | 1907 | support: 565 x 464 mm | 565 | 464 | mm | date inscribed | http://www.tate.org.uk/art/artworks/fantin-latour-roses-n02133 | |||
| 4225 | N02134 | Fantin-Latour, Henri | artist | 1079 | A Plate of Apples | 1861 | Oil paint on canvas | Bequeathed by Mrs Edwin Edwards 1907 | 1861 | 1907 | support: 210 x 264 mm frame: 385 x 440 x 80 mm | 210 | 264 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02134_8.jpg | http://www.tate.org.uk/art/artworks/fantin-latour-a-plate-of-apples-n02134 | ||
| 7925 | N02215 | Kerr, Charles Henry Malcolm | artist | 307 | Myself | exhibited 1899 | Oil paint on canvas | Presented by the artist's widow 1908 | 1899 | 1908 | support: 1372 x 914 mm | 1372 | 914 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02215_8.jpg | http://www.tate.org.uk/art/artworks/kerr-myself-n02215 | |||
| 4003 | N02242 | Dressler, Conrad | artist | 161 | John Ruskin | 1885 | Terracotta | Presented by T. Thornton 1902 | 1885 | 1902 | object: 406 x 305 x 279 mm | 406 | 305 | 279 | mm | date inscribed | http://www.tate.org.uk/art/artworks/dressler-john-ruskin-n02242 | ||
| 6702 | N02252 | Hook, James Clarke | artist | 275 | Wreckage from the Fruiter | 1889 | Oil paint on canvas | Presented by A.J. and B. Hook 1908 | 1889 | 1908 | support: 921 x 1556 mm frame: 1225 x 1860 x 135 mm | 921 | 1556 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02252_8.jpg | http://www.tate.org.uk/art/artworks/hook-wreckage-from-the-fruiter-n02252 | ||
| 13856 | N02270 | Stevens, Alfred | artist | 525 | Truth and Falsehood: Study for the Wellington Monument, St Paul’s | c.1863 | Cast material | Presented by Sir Herbert Cook Bt in memory of Sir James Knowles KCVO 1908 | 1863 | 1908 | object: 603 x 292 x 432 mm | 603 | 292 | 432 | mm | http://www.tate.org.uk/art/artworks/stevens-truth-and-falsehood-study-for-the-wellington-monument-st-pauls-n02270 | |||
| 2179 | N02290 | Charnay, Armand | artist | 893 | The Park of Sansac (Indre-et-Loire) | 1885 | Oil paint on canvas | Presented by the artist 1908 | 1885 | 1908 | support: 295 x 394 mm | 295 | 394 | mm | date inscribed | http://www.tate.org.uk/art/artworks/charnay-the-park-of-sansac-indre-et-loire-n02290 | |||
| 14596 | N02301 | Turner, Charles | artist | 556 | Portrait of J.M.W. Turner | 1851 | Gouache on paper | Presented by Sir Sydney Cockerell 1908 | 1851 | 1908 | support: 89 x 63 mm | 89 | 63 | mm | http://www.tate.org.uk/art/artworks/turner-portrait-of-jmw-turner-n02301 | ||||
| 12159 | N02314 | Poole, Paul Falconer | artist | 430 | Sketch for ‘Vision of Ezekiel’ | c.1875 | Oil paint on canvas | Purchased 1908 | 1875 | 1908 | support: 540 x 762 mm | 540 | 762 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02314_8.jpg | http://www.tate.org.uk/art/artworks/poole-sketch-for-vision-of-ezekiel-n02314 | |||
| 13468 | N02396 | Smetham, James | artist | 502 | Hugh Miller | 1860 | Etching on paper | Presented by Edmund Houghton 1898 | 1860 | 1898 | image: 229 x 305 mm | 229 | 305 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02396_8.jpg | http://www.tate.org.uk/art/artworks/smetham-hugh-miller-n02396 | ||
| 13470 | N02398 | Smetham, James | artist | 502 | Mr Robert Levett | 1861 | Etching on paper | Presented by Edmund Houghton 1898 | 1861 | 1898 | image: 305 x 229 mm | 305 | 229 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02398_8.jpg | http://www.tate.org.uk/art/artworks/smetham-mr-robert-levett-n02398 | ||
| 13471 | N02399 | Smetham, James | artist | 502 | The Lord of the Sabbath | 1861 | Etching on paper | Presented by Edmund Houghton 1898 | 1861 | 1898 | image: 229 x 305 mm | 229 | 305 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02399_8.jpg | http://www.tate.org.uk/art/artworks/smetham-the-lord-of-the-sabbath-n02399 | ||
| 13472 | N02400 | Smetham, James | artist | 502 | The Resurrection of the Daisy | 1861 | Etching on paper | Presented by Edmund Houghton 1898 | 1861 | 1898 | image: 190 x 222 mm | 190 | 222 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02400_8.jpg | http://www.tate.org.uk/art/artworks/smetham-the-resurrection-of-the-daisy-n02400 | ||
| 13473 | N02401 | Smetham, James | artist | 502 | The Death of Earl Siward | 1861 | Etching on paper | Presented by Edmund Houghton 1898 | 1861 | 1898 | image: 225 x 168 mm | 225 | 168 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02401_8.jpg | http://www.tate.org.uk/art/artworks/smetham-the-death-of-earl-siward-n02401 | ||
| 13270 | N02407 | Seddon, John Pollard | artist | 482 | Recess with Staircase, St Sauveur, Caen | published 1852 | Lithograph on paper | Presented by Edmund Houghton 1898 | 1852 | 1898 | image: 213 x 133 mm | 213 | 133 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02407_8.jpg | http://www.tate.org.uk/art/artworks/seddon-recess-with-staircase-st-sauveur-caen-n02407 | |||
| 1584 | N02410 | Brown, Ford Madox | artist | 65 | Sheepshearing | c.1887 | Ink and graphite on paper | Presented by Edmund Houghton 1898 | 1887 | 1898 | support: 241 x 279 mm | 241 | 279 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02410_8.jpg | http://www.tate.org.uk/art/artworks/brown-sheepshearing-n02410 | |||
| 1585 | N02411 | Brown, Ford Madox | artist | 65 | Studies for ‘Work’ | 1855 | Graphite and ink on paper | Presented by Edmund Houghton 1898 | 1855 | 1898 | support: 124 x 175 mm | 124 | 175 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02411_8.jpg | http://www.tate.org.uk/art/artworks/brown-studies-for-work-n02411 | ||
| 1587 | N02413 | Brown, Ford Madox | artist | 65 | Arkwright’s Mill | 1878 | Graphite on paper | Presented by Edmund Houghton 1898 | 1878 | 1898 | support: 140 x 229 mm | 140 | 229 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02413_8.jpg | http://www.tate.org.uk/art/artworks/brown-arkwrights-mill-n02413 | ||
| 1588 | N02414 | Brown, Ford Madox | artist | 65 | Study for ‘John Kay’ | 1889 | Graphite on paper | Presented by Edmund Houghton 1898 | 1889 | 1898 | support: 179 x 256 mm mount: 279 x 405 x 5 mm | 179 | 256 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02414_8.jpg | http://www.tate.org.uk/art/artworks/brown-study-for-john-kay-n02414 | ||
| 1591 | N02417 | Brown, Ford Madox | artist | 65 | Section of the Bridgewater Canal | 1890 | Ink on paper | Presented by Edmund Houghton 1898 | 1890 | 1898 | support: 112 x 177 mm mount: 277 x 406 x 6 mm | 112 | 177 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02417_8.jpg | http://www.tate.org.uk/art/artworks/brown-section-of-the-bridgewater-canal-n02417 | |||
| 1592 | N02418 | Brown, Ford Madox | artist | 65 | A Barge on the Bridgewater Canal | 1890 | Graphite on paper | Presented by Edmund Houghton 1898 | 1890 | 1898 | support: 96 x 173 mm mount: 280 x 406 x 5 mm | 96 | 173 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02418_8.jpg | http://www.tate.org.uk/art/artworks/brown-a-barge-on-the-bridgewater-canal-n02418 | ||
| 1593 | N02419 | Brown, Ford Madox | artist | 65 | Study of the Tow-Path on the Bridgewater Canal | 1890 | Graphite on paper | Presented by Edmund Houghton 1898 | 1890 | 1898 | support: 96 x 173 mm mount: 279 x 405 x 5 mm | 96 | 173 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02419_8.jpg | http://www.tate.org.uk/art/artworks/brown-study-of-the-tow-path-on-the-bridgewater-canal-n02419 | |||
| 2525 | N02421 | Collinson, James | artist | 2214 | The Child Jesus | 1850 | Print on paper | Presented by Edmund Houghton 1898 | 1850 | 1898 | image: 102 x 175 mm | 102 | 175 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02421_8.jpg | http://www.tate.org.uk/art/artworks/collinson-the-child-jesus-n02421 | ||
| 6983 | N02422 | Hunt, William Holman | artist | 287 | Two Subjects for ‘The Germ’ | published 1850 | Etching on paper | Presented by Edmund Houghton 1898 | 1850 | 1898 | image: 200 x 121 mm | 200 | 121 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02422_8.jpg | http://www.tate.org.uk/art/artworks/hunt-two-subjects-for-the-germ-n02422 | |||
| 16121 | N02426 | Whistler, James Abbott McNeill | artist | 598 | Black Lion Wharf, Wapping | 1859 | Etching on paper | Presented by Ernest Marsh 1909 | 1859 | 1909 | image: 143 x 225 mm | 143 | 225 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02426_8.jpg | http://www.tate.org.uk/art/artworks/whistler-black-lion-wharf-wapping-n02426 | ||
| 5753 | N02427 | Haden, Sir Francis Seymour | artist | 230 | Battersea Reach | 1863 | Etching on paper | Presented by Ernest Marsh 1909 | 1863 | 1909 | image: 127 x 229 mm | 127 | 229 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02427_8.jpg | http://www.tate.org.uk/art/artworks/haden-battersea-reach-n02427 | ||
| 11527 | N02434 | Pettie, John | artist | 421 | Portrait of the Artist | 1882 | Oil paint on board | Presented by the John M. Swan Memorial Fund 1909 | 1882 | 1909 | support: 305 x 244 mm frame: 535 x 476 x 55 mm | 305 | 244 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02434_8.jpg | http://www.tate.org.uk/art/artworks/pettie-portrait-of-the-artist-n02434 | ||
| 1942 | N02436 | Callow, William | artist | 79 | The Grand Canal Venice | 1880 | Watercolour and graphite on paper | Presented by the artist's widow 1909 | 1880 | 1909 | support: 222 x 298 mm | 222 | 298 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02436_8.jpg | http://www.tate.org.uk/art/artworks/callow-the-grand-canal-venice-n02436 | ||
| 12771 | N02440 | Rossetti, Dante Gabriel | artist | 461 | Sancta Lilias | 1874 | Oil paint on canvas | Presented by Madame Deschamps in memory of Georgiana, Baroness Mount-Temple 1909 | 1874 | 1909 | support: 483 x 457 mm frame: 819 x 801 x 88 mm | 483 | 457 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02440_8.jpg | http://www.tate.org.uk/art/artworks/rossetti-sancta-lilias-n02440 | ||
| 5840 | N02444 | Harding, James Duffield | artist | 238 | South Brent | 1858 | Graphite on paper | Presented by Charles Newton-Robinson 1909 | 1858 | 1909 | support: 254 x 352 mm | 254 | 352 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02444_8.jpg | http://www.tate.org.uk/art/artworks/harding-south-brent-n02444 | ||
| 6954 | N02476 | Hughes, Arthur | artist | 283 | April Love | 1855–6 | Oil paint on canvas | Purchased 1909 | 1855 | 1909 | support: 889 x 495 mm frame: 1084 x 693 x 75 mm | 889 | 495 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02476_8.jpg | http://www.tate.org.uk/art/artworks/hughes-april-love-n02476 | ||
| 2765 | N02649 | Constable, Lionel Bicknell | artist | 109 | Near Stoke-by-Nayland | c.1850 | Oil paint on canvas | Bequeathed by George Salting 1910 | 1850 | 1910 | support: 356 x 445 mm frame: 560 x 650 x 100 mm | 356 | 445 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02649_8.jpg | http://www.tate.org.uk/art/artworks/constable-near-stoke-by-nayland-n02649 | |||
| 2766 | N02662 | Constable, Lionel Bicknell | artist | 109 | Leathes Water (Thirlmere) | c.1850 | Oil paint on paper on board | Bequeathed by George Salting 1910 | 1850 | 1910 | support: 244 x 394 mm | 244 | 394 | mm | http://www.tate.org.uk/art/images/work/N/N02/N02662_8.jpg | http://www.tate.org.uk/art/artworks/constable-leathes-water-thirlmere-n02662 | |||
| 2862 | N02665 | Cox, David | artist | 117 | Moorland Road | 1851 | Oil paint on canvas | Bequeathed by George Salting 1910 | 1851 | 1910 | support: 273 x 356 mm frame: 478 x 565 x 95 mm | 273 | 356 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02665_8.jpg | http://www.tate.org.uk/art/artworks/cox-moorland-road-n02665 | ||
| 2863 | N02666 | Cox, David | artist | 117 | A Windy Day | 1850 | Oil paint on canvas | Bequeathed by George Salting 1910 | 1850 | 1910 | support: 267 x 359 mm | 267 | 359 | mm | date inscribed | http://www.tate.org.uk/art/images/work/N/N02/N02666_8.jpg | http://www.tate.org.uk/art/artworks/cox-a-windy-day-n02666 |